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A study of the life of Danish noblewoman and storyteller Karen (’Isak’) Dinesen Blixen, from her marriage and departure for Kenya in 1913 until her return to Denmark in 1931. As she struggles to maintain a coffee farm through various struggles and disasters, and strives to improve relations with the local natives, her marriage of convenience to a titled aristocrat gradually gives way to an enduring romance with the noted hunter and adventurer Denys Finch Hatton.

Roland Michell is an Americian trying to make it in the difficult world of British Academics. He has yet to break out from under his mentor’s shadow until he finds a pair of love letters in the textbook that once belonged to one of his idols, a famous long dead Victorian poet. Michell, after some sleuthing around, narrows down the suspects to a woman not his wife, another well known Victorian poet. Roland enlists the aid of a Dr. Maud Bailey, an expert on the life of the woman in question. Together they piece together the story of a forbidden love affair, and discover one of their own. They also find themselves in a battle to hold on to their discovery before it falls into the hands of their rival, Fergus Wolfe.

A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but ‘consumes’ Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it’s more a multiple tale about growing up into adolescence.

In the small town of Knapely, Yorkshire, England, Annie Clarke (Julie Walters) has just lost her husband, who was ill with leukemia. Inspired in his speech to the local Women’s Institute, where he said that “the flowers of Yorkshire are like the women of Yorkshire”, and “the last phase of the women of Yorkshire is always the most glorious”, her best friend Chris Harper (Helen Mirren) decides to make a calendar with twelve local middle-age women nude to raise funds for the wing of leukemia treatment in the local hospital. The calendar becomes well succeeded, making them famous and affecting their lives.