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The lives of three young people - a rich student, a girl from the “wrong side of the tracks” and her boyfriend - unexpectedly intersect during one fateful summer in the romantic drama “Here on Earth.” Kelley Morse (Chris Klein), who is cocky and brash, normally would never have crossed paths with the residents of a small town near his posh private school. But when he takes his shiny new Mercedes out for a drive, he locks horns with some of the locals, including Jasper (Josh Hartnett). As Jasper’s willful girlfriend Samantha (Leelee Sobieski) looks on, Kelley and Jasper engage in a dangerous car race that turns disastrous, leaving a popular diner owned by Samantha’s mother in ruins. Kelley and Jasper are sentenced to a creatively ironic but fitting punishment: They must help rebuild the diner. Not only does this ruin Kelley’s summer plans, he also must board at the home of his rival, Jasper. Kelley begins to fulfill his “sentence,” but refuses to have anything to do with Jasper and his parents. When Kelley again encounters Samantha, the attraction is immediate and strong. First love blossoms in the Berkshire woods (”a little bit of heaven, here on earth,” Samantha calls the pastoral setting), angering Jasper, who has known Samantha practically his entire life. These new feelings and the romantic triangle that develops are only the beginning of a new journey for Kelley, Samantha and Jasper, as they ultimately make life-changing discoveries about themselves and each other.

The path of Francesca Johnson’s future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Iowa state fair in the Summer of 1965, Robert Kincaid happens upon the Johnson farm and asks Francesca for directions to Rosamunde Bridge. He explains that he is on assignment from National Geographic magazine to photograph the bridges of Madison County. She agrees to show him to the bridges and thus begins the bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes down the story of this four-day love affair in a 3-volume diary. The diary is found by her children among her possessions and alongside Robert Kincaid’s possessions after Francesca is dead. The message they take from the diaries is one of hope that they will do what is necessary to find happiness in their lives — whatever is necessary. After learning that Robert Kincaid’s cremated remains were scattered off Rosamunde Bridge and that their mother requested a similar disposition for her own ashes, the children must decide whether to honor their mother’s final wishes or bury her alongside their father as the family had planned. Adapted from the novel by Robert Waller, this is the story of love that happens just once in a lifetime — if you’re lucky.

The small town of Haven becomes a hot-bed of inventions all run by a strange green power device. The whole town is digging something up in the woods, and only an alcoholic poet can unfathom the secret of the tommyknockers.

In an era when Americans were in great need of heroic figures to help them forget their troubles, SEABISCUIT comes to the rescue. The picture relates a moving story of friendship and devotion in rehabilitating the main characters’fractured lives, as it interweaves the interactions between horse, jockey, trainer and owner and their adoring fans. The film accurately portrays the real people and events of those troubled times and how Seabiscuit “fixed us, every one of us.”

A dark tale based on the true story of Aileen Wuornos, one of America’s first female serial killers. Wuornos had a difficult and cruel childhood plagued by abuse and drug use in Michigan. She became a prostitute by the age of thirteen, the same year she became pregnant. She eventually moved to Florida where she began earning a living as a highway prostitute—servicing the desires of semi-truck drivers. The tale focuses on the nine month period between 1989 and 1990, during which Wuornos had a lesbian relationship with a woman named Selby. And during that very same time, she also began murdering her clientele in order to get money without using sex. This turned the tables on a rather common phenomena of female highway prostitutes being the victims of serial killers—instead Wuornos, herself, carried out the deeds of a cold-blooded killer.