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Man’s landing on the moon was our greatest technological achievement. The Apollo 11 mission was truly the stuff of dreams. For the first time, our species walked on another celestial body. Even more remarkable was their ability to make it back. This is the story of the July 20, 1969, Apollo 11 moon landing. Drama with digitally remastered original footage.

Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we’re all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?

Set almost entirely in London, England during five frantic weeks before Christmas follows a web-like pattern of inter-related, loosely related and unrelated stories of a dozen or more various individuals with their love lives, or lack of them. The central character is the new bachelor prime minister David who cannot express his growing feelings for his new personal assistant Natalie. The prime minister’s older sister Karen slowly grows aware of her husband Harry’s flirtation with an office worker named Mia. Karen’s friend Daniel is a recently widowed writer whose 11-year-old son asks for love advice about a girl he has a crush on. Meanwhile, Jamie is another writer who leaves his girlfriend after catching her cheating on him and travels to France to write a novel where he pursues a possible romance with his non-English speaking Portuguese maid Aurelia. Also, Harry’s American secretary Sarah questions a romance she pursues with the office hunk Karl, but her personal family problems get in the way. Other secondary characters involve a photographer who pursues his best friend’s new wife Juliet; a pair of movie stand-ins, named John and Judy, who grow closer after their simulated love scenes; a libidinous chum who wants to travel to Wisconsin, USA to score with women; and a burned-out former rock star named Billy Mack who is the main connection between all stories involved.

A middle-aged crime boss (Malcolm McDowell) smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood (played by Paul Bettany) in Swinging 60’s London, he seemed to ape his mod boss Freddie Mays (David Thewlis), and do anything for him. But his narration exposes all-consuming envy: of Freddie’s supremacy, and especially his tall bird (Saffron Burrows). The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1.