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A year after their first adventure in Narnia, Peter, Susan, Edmund, and Lucy are pulled back in by Susan’s magic horn. They find that hundreds of years have passed, and Narnia is now ruled by the bloodthirsty General Miraz, uncle to the true heir, Prince Caspian, now in exile. Now the children must find Caspian and help him depose Miraz…but how will they get home after it’s done?

This is the story of a named Penelope, who is the victim of a curse placed on a wealthy family by a witch. After generations ago, a witch placed a curse on the Wilhern family that would result in the next girl being born into the clan having the face of a pig. The otherwise-normal girl Penelope is forced to endure life with a pig’s snout instead of a conventional nose, which has sent many a potential suitor running off into the streets, shouting in terror. Eventually, she runs away from her sheltered existence and overprotective parents, to explore the world on her own. As she meets new friends and a potential lover who doesn’t run away, she begins to discover happiness - while all the while her parents believe the only way she can be happy is through an arranged marriage, which will hopefully break her curse.

A lab accident gives a hound named Shoeshine some serious superpowers — a secret that the dog eventually shares with the young boy who becomes his owner and friend.

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.

Daniel is a decent young man, married to Jane, still living at his father’s home. When his father dies, it his up to him to organize his funeral. On this painful morning, the suitable grave expression on his face, Daniel is ready to welcome his father’s friends and relatives. But preserving the dignity inherent in such a circumstance will be a hard task. Particularly with an undertaker who botches his work, the return from the USA from his famous but selfish brother, his cousin’s fiancé who has accidentally ingested drugs, the presence a moron who takes advantage of the sad event to win back the heart (or rather the body) of a woman who is about to marry another, of a handicapped old uncle who is also the most unbearable pain in the neck. To cap it all, Daniel notices the presence among the mourners of a mysterious dwarf nobody else seems to know…

Buddy (Will Ferrell) was a baby in an orphanage who stowed away in Santa’s sack and ended up at the North Pole. Later, as an adult human who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs (James Caan). Hobbs, on Santa’s naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can. When Walter’s relationship with Buddy interferes with his job, he is forced to reevaluate his priorities.

A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan (Robbins) trains the wild man, Puff (Ifans) in the ways of the world - starting with table manners - Nathan’s lover Lila (Arquette) fights to preserve the man’s simian past, which represents a freedom enviable to most. In the power struggle that ensues, an unusual love triangle emerges exposing the perversities of the human heart and the idiosyncrasies of the civilized mind. Human Nature is a comical examination of the trappings of desire in a world where both nature and culture are idealized.