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A couple (King and Chen) returns to North America for a family funeral, having lived in Shanghai, China for the previous six years. Soon after they arrive, their son Jamie (Oey) begins to see ghosts and suffer possession by one of the living dead, and it all ties in with the Chinese festival of Ghost Month, when the doors of hell supposedly open and angry spirits are given the chance to terrorize the living.

When prospective fathers-in-law Steve Tobias and Jerry Peyser meet for the first time to celebrate their children’s upcoming marriage, the cake hits the fan. Dr. Jerome Peyser is a mild-mannered podiatrist with a well-organized daily routine designed to eliminate all possible sources of stress. Meanwhile, daredevil CIA operative Steve Tobias moves through life like a heat-seeking missile. His average day consists of dodging bullets, stealing private jets and negotiating with international arms smugglers. Now he’s giving potential father-of-the-bride Jerry a serious case of pre-nuptial jitters. Steve’s dramatic entrances and exits, his cryptic references to a Russian runaway named Olga and his fight with a gunman in a restaurant washroom causes Jerry to see a vision of his daughter’s perfectly planned wedding blowing up in his face. As far as Jerry’s concerned, letting Steve into his family takes til death do us part way too literally. Before he can say the wedding is off, Jerry suddenly finds himself embroiled in the chaos that follows in Steve’s wake as he is dragged kicking and screaming into a series of perilous adventures that take the mismatched in-laws-to-be halfway around the world.

As a favor to his longtime lover Dr. Susan Silverman, Spenser agrees to investigate the stalking of a theater company director, pro bono. But before he can get started, an actor is killed by an arrow in the middle of a play. Now that there’s a real-life murder to investigate, Spenser and Hawk, get to do what they do best—even if it means death threats from the Chinese underworld, being ordered out of town by the tough local police chief (Eric Roberts), and dodging bullets and crossbows at every turn. By the time they leave the quaint ocean front community, the population has decreased by three, and live theater will never be the same.