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The warden of a small, rundown, minimum-security prison plots revenge against the the prison’s dishonest owner by having four inmates break out and plan a department store robbery to spruce up the prison’s faculties.

On a mission to locate his biological parents, a tightly wound professional (Livingston) is befuddled to find that the couple who conceived him aren’t exactly upper-class.

A cowardly boy who buries himself in accident statistics (Maculay Kulkin) enters a library to escape a storm only to be transformed into an animated illustration by the Pagemaster (Christopher Lloyd), & work through obstacles from classic books to return to real life.

In this erotic remake of the 1942 classic, a young woman’s sexual awakening brings horror when she discovers her urges transform her into a monstrous black leopard.

A digital 3D presentation that wows viewers with striking 3D effects, Fly Me to the Moon is a retelling of the 1969 Apollo 11 landing on the moon from the perspective of three young flies that allegedly hitched a ride on the historic flight. Nat, IQ, and Scooter live by the credo “If it’s not an adventure, it’s not worth doing,” so when the three flies get a chance to sneak aboard the space shuttle for a ride to the moon, all systems are definitely go. While Grandpa McFly and Nat’s young maggot siblings applaud the boys’ adventuresome spirits, their mothers stereotypically swoon and fret over their safety. The flies encounter several unanticipated twists including the trip’s week-long duration, a short in the ship’s circuitry, a Russian fly plot to sabotage their mission, and their mid-flight imprisonment in a test tube. Nonetheless, the flies manage to enjoy the experience of weightlessness with an in-space ballet interpretation of “Blue Danube” as well as an orange juice feeding frenzy. Fly Me to the Moon will likely spark new interest in space exploration and the United States’ walk on the moon, especially in today’s children, and the filmmakers made a concerted effort to present fairly accurate historical details consistent with NASA’s notes on the historic flight. There’s even an afterword from real astronaut Buzz Aldrin in which he stresses the impossibility of the existence of flies or other contaminants aboard the historic space shuttle. Fly Me to the Moon is fun entertainment for the whole family as well as an eye-catching display of digital 3D technology. (Ages 4 and older)

This quirky comedy stars Cary Elwes as Erik Naybor, a motivational speaker and life coach who keeps his family on their toes with a rigorous schedule of physical exercises and psychological techniques. He seems on top of his game, not to mention his family’s lives, until a delinquent nephew shows up who has info on Erik’s not-so-perfect past. Suddenly, it looks like the rigid structure that Erik has built his life around may not be as sturdy as he thought.

An extremely wealthy and crafty old man (Douglas) toys with his greedy nieces and nephews as they circle about, waiting for their ill-deserved inheritance. The plot thickens as the old man takes a young mistress (d’Abo), and they fear that she will get the estate. In response, they locate the much-loved nephew (Fox) who walked away from the whole greed thing and became a professional bowler. Deception upon deception complicates matters as young Daniel is slowly drawn back under the spell of Greed.

Hollywood send-up. No-name actors are making a low-budget period drama called “Home for Purim,” when an anonymous post on the Internet suggests that one performance is Oscar-worthy. Then, two more cast members get Oscar-related press: buzz in “Variety” and appearances on TV prompt the studio executives to insist on changes in the script in anticipation of a blockbuster. Jump ahead a few months to the days before Oscar nominees are announced: just the possibility of a nomination has changed the actors’ lives. Agents, publicists, make-up artists, local celebrity reporters, and other bit players round out the backstage ensemble. Hooray for Hollywood!

Marti DeBergi is a film-maker who decides to make a documentary, a rockumentary actually, about the world’s loudest band, the British heavy metal group Spinal Tap. The movie is in fact a biting satire and spoof of the whole rock and roll scene that passes itself off as a real documentary of a real band. Hilarious behind-the-scenes footage is combined with faux-concert clips to breath life into the imaginary group.

Capitalizing on his fame as the star of “Hogan’s Heroes,” Bob Crane (Greg Kinnear) dove into the freewheeling spirit of the 60s and 70s with relish, having affairs with numerous women. Eventually, Crane teamed up with video technician John Carpenter to document his exploits, an association that may very well have led to his murder in a Scottsdale, Arizona motel room in 1978, which remains officially unsolved to this day.