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Movies starring Bond, Rudy

Biography: 
Rudolph Bond was raised in Philadelphia. He got his start at the Neighborhood Players. After World War II, he was invited by Elia Kazan to be a student at the famed "Actors Studio" in New York, working with such future stars as Paul Newman, James Dean, and Marlon Brando. His first big break was a role in the stage production of "A Streetcar Named Desire". Rudy's career included the theater, motion ...  show all 


On the Waterfront (1954)

Wednesday, June 10th, 2009
Genres: Crime | Drama | Romance
Countries: USA
Actors: Brando, Marlon | Malden, Karl | Cobb, Lee J. | Steiger, Rod | Henning, Pat | Erickson, Leif | Westerfield, James | Galento, Tony | Mauriello, Tami | Hamilton, John F. | Heldabrand, John | Bond, Rudy | Blackman, Don | Keegan, Arthur | Simon, Abe
Directors: Kazan, Elia
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The Waterfront Crime Commission is about to hold public hearings on union crime and underworld infiltration. As workers are turned against each other, Terry Malloy inadvertently participates in the murder of fellow longshoreman Joey Doyle. Union boss Johnny Friendly orchestrates the murder along with other illegal dockside activities, aided by Terry’s brother Charley. Terry begins to feel pangs of conscience. When Joey’s sister Edie sees more in Terry than he sees in himself and Father Barry urges him on, Terry reassesses his past and begins to regain responsibility for his actions.


Taking of Pelham One Two Three, The (1974)

Thursday, December 25th, 2008
Genres: Crime | Drama | Thriller
Countries: USA
Actors: Matthau, Walter | Shaw, Robert | Balsam, Martin | Elizondo, Hector | Hindman, Earl | Broderick, James | O'Neill, Dick | Wallace, Lee | Pedi, Tom | Winde, Beatrice | Stiller, Jerry | George, Nathan | Bond, Rudy | McMillan, Kenneth | Roberts, Doris
Directors: Sargent, Joseph
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Pelham 1-2-3, a subway train, becomes the focal point of the most audacious and unusual terrorist attack ever seen. Four gunmen, going by color codenames, seize the train and hold its passengers and conductor hostage halfway between underground stations, demanding a hefty ransom else they will begin executing hostages. A veteran NY transit policeman leads negotiations with the hijackers to prevent any killing, but amid the showdown a question nags at authrorities - with the gunmen and their hostages in a tunnel surrounded by police on all sides, how can they possibly escape?


12 Angry Men (1957)

Thursday, June 5th, 2008
Genres: Drama
Countries: USA
Actors: Balsam, Martin | Fiedler, John | Cobb, Lee J. | Marshall, E.G. | Klugman, Jack | Binns, Ed | Warden, Jack | Fonda, Henry | Sweeney, Joseph | Begley, Ed | Voskovec, George | Webber, Robert | Bond, Rudy | Kelly, James | Nelson, Billy
Directors: Lumet, Sidney
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Heralded as one of the all-time great theatrical releases, “12 Angry Men” focuses on a jury’s deliberations in a capital murder case. A 12-man jury is sent to begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father, where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming, saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis, played by Henry Fonda) casts a not guilty vote. At first Mr. Davis’ bases his vote moreso for the sake of discussion after all, the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold, the story quickly becomes a study of the jurors’ complex personalities (which range from wise, bright and empathetic to arrogant, prejudiced and merciless), preconceptions, backgrounds and interactions. That provides the backdrop to Mr. Davis’ attempts in convincing the other jurors that a “not guilty” verdict might be appropriate.


Godfather, The (1972)

Tuesday, April 3rd, 2007
Genres: Crime | Drama
Countries: USA
Actors: Brando, Marlon | Pacino, Al | Caan, James | Castellano, Richard S. | Duvall, Robert | Hayden, Sterling | Conte, Richard | Lettieri, Al | Keaton, Diane | Vigoda, Abe | Shire, Talia | Russo, Gianni | Marley, John | Bond, Rudy
Directors: Coppola, Francis Ford
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The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.