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The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse’s hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search…

The memoirs of Captain Charles Ryder who is stationed at Brideshead Castle during WWII and remembers his involvement with the owners of the Brideshead estate: the aristocratic yet Catholic Flyte family and in particular brother and sister Sebastian and Julia.

With this dystopian world ravished by war, paranoia and the frustrations of Man the Orwellian vision of Nineteen Eighty-Four, the totalitarian future is now complete and amongst us. With female fertility becoming obsolete, Man cannot reproduce, and no child has been born on the face of the planet for eighteen years. Man, and his future, is dying. Soon he shall be extinct. Theo, the beaten, downtrodden and middle-aged ex-political activist will, unwittingly, become involved in a war of an underground revolt. Here he is active once more, in the perilous journey across England’s Home Counties, with a young girl, Kee, who, to Theo’s bewilderment is pregnant. The first pregnant woman for more than eighteen years. This secret must be protected, at all cost, and mother and child must flee to the mysterious and enigmatic Human Project, across the seas. Their flight is a constant fight for survival. Who can be trusted? Who can keep a secret?