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Frank Serpico is a young, inexperienced cop who starts out on patrol. Later, he starts to work as an undercover cop who busts all sorts of criminals, but mostly drug dealers and pushers. Since Serpico is a young man living in the 70’s, he lives as one. His image, based on how others look on him, shows him as just a ‘hippie’ and the criminals he busts have no idea he is really an undercover officer. Everything is working out well, except the money situation. Serpico refuses to accept money, as the other officers do. He feels this isn’t right, and wants to expose the situation. Who he thought were his friends now turn into his enemies when Serpico takes the stand on a grand jury investigation. He continues to work undercover, and his life is placed into jeopardy at the hands of his colleagues.

Johnny Hooker is a young con-man who is being taught by Luther. One day they pull one of their con jobs and net themselves a huge roll. What they don’t know is that the man they conned is the courier for a numbers runner. And it turns out that the boss, Doyle Lonigan, considers it an attack on him and orders all the people involved terminated. Hooker is shaken down by a crooked cop, Snyder, who threatens to turn him over to Lonigan unless he pays him off. Hooker pays him, he then tries to warn Luther but is too late. He then goes to see Henry Gondorf, a friend of Luther’s and a one time great con-man, who has had a bit of bad luck. After hearing what happened to Luther and seeing how hungry Hooker is for payback, he assembles a gang and decides to con Lonigan. While everything seems to be going ok, there is just the problem of the hit on Hooker and Snyder, whom Hooker paid off with counterfeit money.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.

The movie begins with the aging Brushy Bill Roberts narrating his story to a young historian. His claim? He claims that he is the famous outlaw William H. Bonney, alias Billy the Kid, who was supposedly shot and killed by Patrick Floyd Garrett in 1881. The old man gives a very convincing story on how he and Garrett, along with Arkansas Dave Rudabaugh, Chavez y Chavez, Doc Skurlock, and a few others led the outlaw life and avoided the law, as they were wanted men. Garrett, a friend of Billy’s, was paid by John Chisum, a cattle king, to eliminate Billy the Kid. So, Garrett and Ashmun Upson set out on a journey to find Billy the Kid.

Bounty hunter Jack Walsh is sent to find and return bail jumper and former Mafia accountant, Jonathan “The Duke” Mardukas. The FBI have had no success it locating The Duke, so when Jack finds him in next to no time, they are a little embarrassed. In order to collect his $100,000 fee, Jack must take The Duke from New York to Los Angeles. However, the Mafia and the FBI have other ideas, as does Marvin, a rival bounty hunter. On their long cross-country trip to LA, the two get to know each other and they build up a strange friendship.