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Romantic comedy: Will Hayes, a 30-something Manhattan dad is in the midst of a divorce when his 10 year old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will’s story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as a idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women. On the campaign, Will’s best buddy is Russell McCormack. They not only have similar political aspirations, they share the same type of girl problems, too. Will hopelessly attempts a “PG” version of his story for his daughter ad changes the names so Maya has to guess who he finally married. Is her mother Will’s college sweetheart, the dependable girl next-door Emily? Is she his longtime best friend and confidante, he apolitical April? Or is she the free-spirited but ambitious journalist? As Maya puts together the pieces of her dad’s romantic puzzle, she begins to understand that love is not so simple or easy. And as Will tells her his tale, Maya helps him to understand that it’s definitely never too late to go back…and maybe even possible to find a happy ending.

Romantic comedy: Will Hayes, a 30-something Manhattan dad is in the midst of a divorce when his 10 year old daughter, Maya, starts to question him about his life before marriage. Maya wants to know absolutely everything about how her parents met and fell in love. Will’s story begins in 1992, as a young, starry-eyed aspiring politician who moves to New York from Wisconsin in order to work on the Clinton campaign. For Maya, Will relives his past as a idealistic young man learning the ins and outs of big city politics, and recounts the history of his romantic relationships with three very different women. On the campaign, Will’s best buddy is Russell McCormack. They not only have similar political aspirations, they share the same type of girl problems, too. Will hopelessly attempts a “PG” version of his story for his daughter ad changes the names so Maya has to guess who he finally married. Is her mother Will’s college sweetheart, the dependable girl next-door Emily? Is she his longtime best friend and confidante, he apolitical April? Or is she the free-spirited but ambitious journalist? As Maya puts together the pieces of her dad’s romantic puzzle, she begins to understand that love is not so simple or easy. And as Will tells her his tale, Maya helps him to understand that it’s definitely never too late to go back…and maybe even possible to find a happy ending.

Joanna Eberhart (Nicole Kidman) is a successful TV producer on the verge of yet another Emmy-winning streak of TV shows when she is fired from her job at a prestigious network. She then has a mental breakdown and her husband Walter (Matthew Broderick) and their two children (Dylan Hartigan, Fallon Brooking) move to Stepford, Conneticut, the most perfectly perfect little town there ever was. The women of Stepfrod spend all day knitting, gardening, exercising in beautiful dresses, and are the most splendid of all women on Earth. Soon, Joanna along with her best-selling author buddy, Bobbie (Bette Midler) and Democratic, flamboyant fairy friend Roger (Roger Bart) realize that something isn’t right in Stepford. All is not as perfect as it seems…especially after Roger and Bobbie are turned into perfect portraits of Stepford. Why are the women of Stepfrod so perfect? What do the Stepford Husabnds have to do with the scheme? Will Joanna ultimately uncover the truth? Or are the Stepford coming for her to make her a blonde, bubbly piece of perfection?