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The movie opens with college student Richard Collier gathering rave reviews for his new play. At the party, he comes face to face with an old woman who presses something in his hand and whispers, “Come back to me.” He opens his hand to find an old pocket watch. Cut to several years later. Playwright Collier is in the midst of a break-up and writers block. He leaves the city for awhile to think things out and finds himself near his alma mater at the Grand Hotel. While wandering around the hotel, he finds a photograph of a beautiful young woman. Richard is entranced, and tries to find out all he can about her. During the course of his research he learns she was Elise McKenna, an actress from the turn of the century. He also discovers that she was the mysterious old woman who gave him the watch. Finally determining that he must meet her somehow, he employees self-hypnosis and wills himself back to 1912. He meets Elise and they fall in love, which does not make her manager, William Fawcett Robinson, happy at all. Will their love survive Robinson’s disapproval? Will Richard be able to stay in 1912?

AFTER SEX is an edgy relationship comedy that uses sex as a background to examine intimacy and vulnerability. It’s a humorous, yet honest look at the complexity of modern day relationships told through nine separate couples. Through witty dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between while somehow finding humor within the drama, heartache and confusion of it all. What is learned about human emotions and vulnerability is enlightening and entertainingly sexy and fun.

Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby—crashing weddings! Whatever the ethnicity of the wedding party—Jewish, Italian, Irish, Chinese, Hindu—the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John’s flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships.

In the days of King Arthur’s Camelot, a renegade knight Ruber plots to usurp the throne by turning his henchmen into formidable monsters, forcing the widow of a Round Table knight he killed to use her privileged access to the King’s castle and, most importantly, stealing King Arthur’s symbol of power, the magical sword, Excalibur. When she kidnaps the widow, her young rambunctious daughter, Kayley, who dreams the seemingly impossible dream of becoming a Knight, escapes to both warn the King and try to recover Excalibur. Along the way, she meets up with a young blind hermit, a goofy two headed dragon and a mysterious silver winged falcon and together, they endeavor to find the sword to save the kingdom.

When Bond investigates the murders of three fellow agents, he soon finds himself a target, evading the vicious assassins as he closes in on the powerful Kananga (Yaphet Kotto). Known as “Mr. Big,” Kananga is coordinating a globally threatening scheme using tons of self-produced heroin. As Bond tries to unravel the mastermind’s plan, he meet Solitaire (Jane Seymour), the beautiful Tarot card reader whose magical gifts are crucial to the crime lord. Bond, of course, works his own magic on her, and the stage is set for pulse-pounding action sequences involving voodoo, hungry crocodiles and turbo-charged speedboats.