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After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

When a ‘Single White Female’ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her.

Michael Jennings is a reverse engineer and what he does is technical jobs for certain companies and as soon as he is done, his memory of the work he has done is wiped out. Now the longest he has been contracted is 2 months. But now billionaire, James Rethrick offers him a job that would last 2 years, maybe 3, and he promises that he will probably earn 8 figures. Michael agrees. Before beginning he turns in all of his personal effects. And when the job is done, his memory is erased and he learns he made over 90 million dollars over the three years. When he goes to claim it and his personal effects, he discovers that prior to the erasure of his memory he waived his rights to the money he earned and that the items that were given to him were not the ones he gave when he began. Later he is arrested by the FBI who say that he committed some act of treason and murder. It’s while he is in custody that he escapes using some the items that he was given. He later meets with a friend who gives him some information that helps him understand what is going on. And at the same time Rethrick for some reason wants him so he is being pursued by Rethrick’s people.

Twenty years ago, 8-year-old Emma Brody’s abusive mother smashed Emma’s face into a bathroom mirror just for pilfering in the mother’s makeup drawer. Today, Emma is an independent, self-assured woman who plays violin in a popular Celtic folk band in Chicago. Emma lives life on her own terms, only without sight — the result of the traumatic injuries to her eyes at the hands of her mother. Luckily for Emma, medical science has vaulted a quantum leap in the past two decades. Now, thanks to corneal implants installed by her kindly eye surgeon, Dr. Ryan Pierce, Emma can see again. Emma’s sight is at first cloudy, and she suffers from “retroactive hallucinations,” a clinically documented syndrome in which the newly sighted sometimes “see” things hours, or even days, after they actually happen. This becomes a big problem when Emma sees a suspicious man leaving her neighbor’s apartment at 4AM, but his features appear to her only in flashback later that morning. After failing to get a response at the neighbor’s door, Emma tries to convince detective John Hallstrom and his partner Tom Ridgely to check things out. At first, Hallstrom dismisses Emma as a nutcase, but when the cops finally arrive on the scene, they find the guy murdered, using the same MO as a series of killings that Hallstrom and Ridgely are already investigating. Emma herself is in danger, because she’s the only person who can identify the killer. Hallstrom’s colleagues remain doubtful because Emma’s vision flawed. When the killer begins to stalk Emma, Hallstrom has her placed under police protection, and the two soon become lovers while Hallstrom tries to figure out who the killer is.