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Yesterday it was rural Kingston Falls. Today it’s the Big Apple — and lots of wild, anarchic comedy — because a new batch of mischievous green meanies is on the loose. We told you. Remember the rules. You didn’t listen. Now you’ll have to face up to the hilarious consequences.

Samantha’s life is going downhill fast. The fifteen-year-old has a crush on the most popular boy in school, and the geekiest boy in school has a crush on her. Her sister’s getting married, and with all the excitement the rest of her family forgets her birthday! Add all this to a pair of horrendously embarrassing grandparents, a foreign exchange student named Long Duc Dong, and we have the makings of a hilarious journey into young womanhood.

Alfie is a remake of the 1966 film. In the contemporary film, Alfie is quite the ladies man and rarely gets rejected when it comes to the opposite sex. He successfully has relations with multiple women without a hint of emotional attachment. A major (lifelong) problem arises when he sleeps with the wrong woman, namely his best friend’s (and future business partner) ex-girlfriend. As a result, his life slowly comes into focus and he begins to appreciate the little things he always missed in the opposite sex. A must see for all guys who call themselves “players”.

Brandon Lang loves football: an injury keeps him from the pros, but his quarterback’s anticipation makes him a brilliant predictor of games’ outcomes. Needing money, he leaves Vegas for Manhattan to work for Walter Abrams advising gamblers. Walter has a doting wife, a young daughter, and a thriving business, but he has problems: a bum heart, a belief he’s a master manipulator, and addictions barely kept in check. He remakes Brandon, and a father-son relationship grows. Then, things go awry. Walter may be running a con. The odds against Brandon mount.

Connie, an aging Bohemian photographer, meets mousy Harper, headed for Harvard Law from a high-powered San Francisco family, and immediately sees her beauty. He also guesses she has talent and invites her to be his pupil and share his bed. He’s Alfred Stieglitz, she’s Georgia O’Keefe, and he calls her his Guinevere. When she realizes she’s the latest Guinevere in a string of ingenues, she bolts, only to return, sick of her family. She’s blossoming, reading, learning, but hasn’t yet taken her first photograph when he tells her they’re going to L.A., broke, him drinking too much, to sell some photographs. On the trip, she finally snaps the shutter; so does her awe and dependence.