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Stan Ross was a baseball superstar who turned his back on the game years ago when he finally hit 3,000 hits. Years later, he’s now a successful, self-made entrepreneur whose many businesses revolve around his title: Mr. 3000. But a clerical error has proven that Stan is just short three hits of his spectacular hit record. Now, with time on his side and the potential to be inducted in the Baseball Hall of Fame, Stan must return back to the game and get back his title. But things have changed with age, and as Stan finds out, it’s not too easy to get back into the game when he hasn’t played for years, and he’s nearing 50.

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.