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New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

Imagine a cross between _Lion King, The (1994)_ (qv) and _Back to the Future Part II (1989)_ (qv). This is a separate story thread, that of Timon and Pumbaa, intertwined with the original story. Thus, along with seeing new events (e.g. Timon’s departure from the meerkat colony, Timon and Pumbaa’s first meeting, the origin of “Hakuna Matata”), we get to see a new perspective on (and some previously unseen causes for) some of the events in the original film. Oh, and the whole thing is told in a _”Mystery Science Theater 3000″ (1988)_ (qv) framework, with Timon and Pumbaa narrating and interacting with the “onscreen” movie.

One thousand years from now, aliens destroy Earth in fear of the Titan project. Some humans escape, becoming a downtrodden Diaspora, living in impoverished settlements. The mysterious Titan spacecraft also escapes, and its inventor has hidden it before dying. A spacecraft captain and its pilot, Korso and Akima, two humans, seek out Cale, the youthful son of the dead scientist and explain that he must help them find the Titan, which holds a mechanism to unite and save humanity. Cale refuses, but the arrival of the killer aliens persuades him to join Korso. Can he avoid his pursuers, know friend from foe, find the Titan, and embrace his humanity, a nature he has despised until now?

Stuart’s mother is being over-protective of him, especially when he narrowly escapes injury in a soccer game. His big brother George has also made a new friend, Will, so Stuart is feeing lonely. Stuart rescues a canary, Margalo, from a falcon; she moves in with the Littles. One day, Margalo is nowhere to be found, so Stuart and Snowbell set out across the city to find her while George covers for Stuart (the first time he’s had to lie).

A family film about a mouse that lives in an old house where the geriatric owner dies, and ‘Nathan Lane’ (qv) and ‘Lee Evans (I)’ (qv) have plans for, but they have trouble getting rid of the mouse. It’s like Home Alone with a mouse.

The adventures of a heroic and debonair stalwart mouse named Stuart Little with human qualities, who faces some comic misadventures while searching for his lost bird friend and living with a human family as their child.