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New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

Alex Rose (Stiller) and Nancy Kendricks (Barrymore) are a young, professional, New York couple in search of their dream home. When they finally find the perfect Brooklyn brownstone they are giddy with anticipation. The duplex is a dream come true, complete with multiple fireplaces, except for one thing: Mrs. Connelly (Eileen Essel), the cranky old lady who lives on the rent-controlled top floor. Assuming she is elderly and ill, they take the apartment but their hopes are quickly dashed when they realize that Mrs. Connelly is an energetic senior who enjoys watching her television at top volume day in and day out and rehearsing in a brass band. A writer, Alex is attempting to finish his novel against a looming deadline. However, each day as he begins to write, he is interrupted by Mrs. Connelly’s numerous demands and requests and what begins as a nuisance quickly escalates into an all-out war. When Nancy loses her job and the pair are trapped at home together with Mrs. Connelly, their rage turns to homicidal fantasy as they plot ways to get rid of their no-good neighbour…