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Wealthy teenager Charlie Bartlett is failing miserably at fitting in at a new public high school run by the world-weary Principal Gardner. As he begins to better understand the social hierarchy, Charlie’s honest charm and likability positions him as the resident “psychiatrist” dishing out advice, and the occasional prescription with his partner and fellow student, Murphy Bivens, to other students in need. Along the way, he decides to take some of his own advice, find romance, and learn to accept who he is, thus wielding a witty dark comedy about the angst-filled years before college.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. A film noir reminiscent of the stories of Elmore Leonard, ALL HAT is adapted from the novel by Brad Smith; Smith also penned the screenplay. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn. Sonny Stanton, gambling addict and spoiled heir to a thoroughbred dynasty, is in the process of buying up an entire concession of farmland to build a casino and golfing resort, and the only one brave enough to stand in the way of Sonny is Etta Parr, Ray’s old flame, who might be willing to forgive Ray if it wasn’t for her pride and common sense. The situation is a minefield, one Ray is determined to avoid. He hooks up with Chrissie, a sexy, sassy and talented jockey and steers clear of Sonny. But when a ten-million-dollar thoroughbred goes missing from the Stanton Stables, Sonny pushes things too far and forces the sale of the community’s remaining farms. Ray reacts by coming up with a plan to stop Sonny in his tracks and right a few wrongs in the process. The scheme is unlikely and audacious; the players are as unpredictable as nitroglycerin. One false move and Ray will land back in jail. And the smart money is against him.

Since the hit-and-run murder of his wife five years ago, Rennie Cray has crisscrossed America in his souped-up, stripped-down ‘68 Plymouth Barracuda, pursuing her killer. The man he seeks in a high-speed, high-stakes game of cat-and-mouse is James Fargo, a merciless, wheelchair-bound pyschopath. Through a series of mechanical innovations, Fargo has turned his rampaging ‘72 Cadillac Eldorado into a monstrous extension of his own twisted body and mind. Now, their deadly battle of wits and wills is about to move into overdrive. And caught in their headlights is a tormented beauty who unwittingly holds the key to their ultimate showdown.

For a class project, three self absorbed college students decide to do their project on gossip to track it’s growth. But, first they need some gossip so one night at a nightclub, they spot a guy (Jackson) and a girl (Hudson) making out before the girl passes out. Around the campus the girl is known for not giving out. The three decide to use that as their base and mix it into her boyfriend raping her when she was passed out. The gossip gets spread to the girl who only remembers passing out at the club. One of her friends suggest that maybe her boyfriend raped her.

Toronto, 2001. Three women in spiritual crisis. In secret from her dismissive husband, Olivia draws what she sees in dreams. Catherine, a world-class cellist, has abandoned her husband and daughter to hunt down her father. Photojournalist Natalia, in her famous father’s footsteps, scores her first Time Magazine cover, but realizes she has paid an incalculable price for the photo. Olivia has another secret besides her art; Catherine makes discoveries about her father; Natalia receives a gift that’s undeserved: these complications push each woman in a new and unexpected direction.