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In New York City, Gulley, who’s in middle school, lives with his father and step-mother; his paternal grandmother dominates the family’s life. In secret, he’s recently been in touch with his mother, Kailey, a pool hustler, who wants to win big and take Gulley to Canada. With the help of Teddy Quinette, who runs Quinn’s Pool Hall, Kailey may get her shot at big money. Can she win the match, keep her son’s confidence, and, using fake documents she gets from Markus, a friend of hers, make it to Canada to start a new life?

Patrick Bateman is handsome, well educated and intelligent. He is twenty-seven and living his own American dream. He works by day on Wall Street, earning a fortune to complement the one he was born with. At night he descends into madness, as he experiments with fear and violence.

In the early 1950’s, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator ‘Joseph McCarthy (II)’ (qv) of Wisconsin. However, CBS reporter ‘Edward R. Murrow (I)’ (qv) and his producer ‘Fred W. Friendly’ (qv) decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history.

Sean Archer is a government agent who for six years has been trying to apprehend terrorist, Caster Troy, who tried to kill him but ended up killing Archer’s son instead. When Archer corners Troy, Troy tells Archer that he has planted a bomb that will go off, unless he lets him go but Archer thinks that Troy is bluffing so a fight erupts that leaves Troy comatose. But later when they go through some of his brother, Pollux’s things, they discover that Troy was telling the truth. All what they need now is to find out where it is and the only person who knows is Pollux. And the only person that he will talk to about it, is his brother, Caster but unfortunately he is a vegetable. A government official then suggests to Archer that he assume Caster’s identity and ask Pollux about the bomb. So she brings him to a doctor who has perfected a method wherein the face of one individual is removed from him and placed on another. Archer agrees. The operation is a success so Archer as Troy goes to the prison where Pollux is being held and successfully gets him to tell him where the bomb is. Meanwhile, Troy who was believed to be comatose awakens and forces the doctor who operated on Archer to place Archer’s face on him. He then goes to the prison as Archer and taunts Archer by telling him that he has destroyed all documentation of the operation and eliminated everyone who knew about it. He then takes his brother out and leaves Archer in prison. But Archer somehow manages to escape and is now trying to find someone who will believe and help him, while Troy is plotting something.

The script begins as a young Hughes directs one of Scorsese’s favorite films, Hell’s Angels. Hughes was so obsessed with perfection in the aerial sequences that he waits forever for perfect conditions, right down to cloud formations. The Aviator ends in 1946, when Hughes was still a dashing young man and romancing actresses like Ava Gardner and Katharine Hepburn.

In morte veritas. Georgia Byrd clerks at a New Orleans department store. She defers pleasure: cooks gourmet meals, eats Lean Cuisine; likes a co-worker in silence; has savings, but hasn’t left Louisiana. All that changes when an MRI discloses she has three weeks to live. She cashes her savings and heads to Europe’s Grandhotel Pupp, where Chef Didier presides. She checks into the Presidential Suite, orders everything on the menu, snowboards, and comes to the attention of the chef and the hotel’s powerful American guests: a Congressman, a Senator, a retail magnate, and his mistress. She has nothing to lose, so she tells them what she thinks. Will the truth set them free?