Movie Downloads Easy! Fast!! Legally!!!

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.

Top cover girl and fashion model, Jennifer Tree (ELISHA CUTHBERT) has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America’s sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. Inspired by the fact that over 850,000 people are reported missing every year in the United States, many of whom are never seen again, CAPTIVITY, follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks. Her will to escape and survive is challenged every moment by a maniac’s desire to demoralize innocent victims and play out his sick game that has been played many times before Jennifer was taken. A combination of SAW and HOSTEL meets SILENCE OF THE LAMBS, CAPTIVITY is a psychological thriller/horror film that shows us the true terror of the crimes of abduction and confinement that are committed every day by serial killers and psychopaths at large. Directed by acclaimed filmmaker Roland Joffe (THE KILLING FIELDS, THE MISSION), CAPTIVITY delves deeply into the minds of both captor and victim with a fresh and terrifying view of this epidemic horror. Being released this summer in theatres nation-wide, CAPTIVITY has been called one of the most controversial films of the year. It’s a disturbing and raw, yet classy and thought provoking film which will leave you terrified, and looking over your shoulder as you leave the theatre wondering if you could be next.

A dark tale based on the true story of Aileen Wuornos, one of America’s first female serial killers. Wuornos had a difficult and cruel childhood plagued by abuse and drug use in Michigan. She became a prostitute by the age of thirteen, the same year she became pregnant. She eventually moved to Florida where she began earning a living as a highway prostitute—servicing the desires of semi-truck drivers. The tale focuses on the nine month period between 1989 and 1990, during which Wuornos had a lesbian relationship with a woman named Selby. And during that very same time, she also began murdering her clientele in order to get money without using sex. This turned the tables on a rather common phenomena of female highway prostitutes being the victims of serial killers—instead Wuornos, herself, carried out the deeds of a cold-blooded killer.

Joe Hickley thinks he’s got a great scheme: kidnap the child of rich parents, hold it for 24 hours, keeping the mother under his control while an accomplice gets the ransom from the father, who is on a trip. But things go very wrong when he tries this scheme on the Jennings family, in part because their daughter Abby is asthmatic, and in part because the Jennings’ find out more than Hickley wants them to know.

The story of irreverent supernatural detective John Constantine, who has literally been to Hell and back. When Constantine teams up with skeptical policewoman Angela Dodson to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Arnold Schwarzenegger plays a Russian policeman sent after a Russian drug dealer who has escaped to the United States and is awaiting extradition in Chicago. Jim Belushi plays his temporary partner on the Chicago police. When the drug dealer escapes, the two police must overcome their differences in order to recapture him.

The misadventures of Mickey and Mallory: outcasts, lovers, and serial killers. They travel across Route 666 conducting psychadelic mass-slaughters not for money, not for revenge, just for kicks. Glorified by the media, the pair become legendary folk heroes; their story told by the single person they leave alive at the scene of each of their slaughters.