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“The Boat That Rocked” is an ensemble comedy in which the romance takes place between the young people of the ’60s and pop music. It’s about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz. The Count, a big, brash, American god of the airwaves; Quentin, the boss of Radio Rock — a pirate radio station in the middle of the North Sea that’s populated by an eclectic crew of rock and roll DJs; Gavin, the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave, an ironic, intelligent and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.

Published in 1995, the collection of loosely connected short stories captures a week in L.A. in 1983, featuring movie executives, rock stars, a vampire and other morally challenged characters in adventures laced with sex, drugs and violence.

The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father’s paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible.

Based on Thomas Harris’ book of the same name, this prequel shows a young Hannibal Lecter in three different phases of his life from childhood in Lithuania to his ten years in England up to his time in Russia before his capture by FBI agent Will Graham in Red Dragon.

Every family has its secrets and tries to hold them hidden within domestic walls. However, those of the family of Marcus Aylesbury are in order to become public because of the family’s long date friend Trent, a journalist faithful to his ideals who, put under pressure by his editor, is looking for a “sexy-scoop”…

Nearly a decade after Cate Blanchett drew the attention of audiences and critics alike with ELIZABETH, the Oscar-winning actress returns to the role of the Virgin Queen. Though the protestant ruler has been on the throne for decades in 1585, Elizabeth I’s reign is still under attack from both inside her country and from the continent. Her cousin, Mary, Queen of Scots (Samantha Morton), carries the favour of the nation’s Catholics as she schemes for the throne from prison, while Spain’s King Philip II (Jordi Molla) plots an invasion with the power of his famous armada. But Elizabeth is also concerned with the arrival of Sir Walter Raleigh (Clive Owen), a charming pirate and adventurer. Unable to reconcile her feelings with her crown, she encourages Bess (Abbie Cornish), her beloved lady-in-waiting, to pursue a relationship with Raleigh.
Nine years haven’t dulled Blanchett’s ability to play this—or any other—character with an impressive range of fire and tenderness. Her chemistry with the infinitely watchable Owen is one of the film’s highlights. As in ELIZABETH, director Shekhar Kapur doesn’t restrict himself from using artfully constructed shots that aren’t normally used in period dramas. It’s a modern retelling of history, and Kapur and his director of photograpy, Remi Adefarasin, aren’t content to let the film have the standard look of many films in the genre. Costume designer Alexandra Byrne follows the same logic, creating stunning dresses for Elizabeth that draw inspiration both from modernity and the time period. If Blanchett weren’t such a gifted actress, the gorgeous costumes might threaten to overtake her as the star of the film.

A movie spin-off from Harry Enfield’s TV series, featuring the popular character of Kevin the Teenager. When stubborn, spotty Kevin and his equally hopeless best friend Perry go on holiday to the party island Ibiza, they see it as their big chance to become superstar club DJs and, more importantly, to lose their virginities. But they aren’t prepared for the interference of top DJ Eyeball Paul, not to mention the embarrassment factor of Kevin’s long-suffering parents.

A philosophical burlesque, Human Nature follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan (Robbins) trains the wild man, Puff (Ifans) in the ways of the world - starting with table manners - Nathan’s lover Lila (Arquette) fights to preserve the man’s simian past, which represents a freedom enviable to most. In the power struggle that ensues, an unusual love triangle emerges exposing the perversities of the human heart and the idiosyncrasies of the civilized mind. Human Nature is a comical examination of the trappings of desire in a world where both nature and culture are idealized.

Little Nicky is “daddy’s little girl” in Hell. He’s the son of Satan, who got the job from HIS father, Lucifer. Satan wants to retire, but none of his sons are good enough for the job. There’s Cassius, who’s big and strong, but lacks the ‘goodness’ to make the job real. There’s Adrian, who while really hot (no pun intended) and smart, has no goodness at all. Then there’s Nicky [Sandler] who, while having good, lacks any evil whatsoever. As seen in the previews, he is told to release his evil. He needs to release it to save his dad. Cassius and Adrain leave Hell, thereby freezing the wall of fire that lets the damned souls into Hell. Since no souls can come in now, Satan starts to die. It’s up to Little Nicky to go and get his brothers, putting them into a flask and bringing them back to Hell at the exact same time to save Satan from decomposition. If Nicky ‘dies’ on Earth, he will be able to get through the frozen wall and back up to Earth. The catch is that he has only a week, and that Adrian and Cassius are MUCH more powerful than he is.

An inksetter in New York, Quoyle returns to his family’s longtime home, a small fishing town in Newfoundland, with his young daughter, after a traumatizing experience with her mother, Petal, who sold her to an illegal adoption agency. Though Quoyle has had little success thus far in life, his shipping news column in the newspaper “The Gammy Bird” finds an audience, and his experiences in the town change his life. Then he meets the widow Wavey…