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After auditions, 12 young dancers make it to the American Ballet Academy. They’ll prepare for the student showcase to determine who will be asked to join the American Ballet Company. Tensions mount between Jonathan, the company’s aging choreographer, and Cooper, his best dancer, who also wants to choreograph. The brilliant Maureen seems poised for success, but she discovers that life is passing her by. Jody, whose body may be the wrong type and whose technique is ragged, elicits Cooper’s interest. The edgy, smart-mouthed Eva loves to dance but seems destined to be stuck in the back of the chorus. The showcase will decide their fates.

The path of Francesca Johnson’s future seems destined when an unexpected fork in the road causes her to question everything she had come to expect from life. While her husband and children are away at the Iowa state fair in the Summer of 1965, Robert Kincaid happens upon the Johnson farm and asks Francesca for directions to Rosamunde Bridge. He explains that he is on assignment from National Geographic magazine to photograph the bridges of Madison County. She agrees to show him to the bridges and thus begins the bittersweet and all-too-brief romance of her life. Through the pain of separation from her secret love and the stark isolation she feels as the details of her life consume her, she writes down the story of this four-day love affair in a 3-volume diary. The diary is found by her children among her possessions and alongside Robert Kincaid’s possessions after Francesca is dead. The message they take from the diaries is one of hope that they will do what is necessary to find happiness in their lives — whatever is necessary. After learning that Robert Kincaid’s cremated remains were scattered off Rosamunde Bridge and that their mother requested a similar disposition for her own ashes, the children must decide whether to honor their mother’s final wishes or bury her alongside their father as the family had planned. Adapted from the novel by Robert Waller, this is the story of love that happens just once in a lifetime — if you’re lucky.

Eloise is a fun-loving little girl with a knack for finding adventure every place she looks. While under the care of her “rawther” wonderful nanny (Julie Andrews), Eloise tries to play matchmaker to a lonely prince and wrangle an invitation to the society event of the season.

Doug Ireland is the concierge of a ritzy hotel in New York. He does what he has to to satisfy the hotel’s guests, by getting them what they need; like jewelry, candy mints, and theatre tickets. He also tries to keep the manager from terminating Milton, the bellhop, who was been working at the hotel for more than half a century, who likes to think that the spirit of the hotel’s founder is still around. Doug wants to open his own hotel on Roosevelt Island. Now he has saved every cent he could to get an option on an old hotel. Now he has a matter of weeks to develop the hotel or else he will lose it. But to do it he needs at least 3 million dollars and his best chance to get it is Christian Hanover. While Hanover considers Doug’s proposal, he asks him to “take care” of his girlfriend, Andy, a girl whom Doug has the hots for but is constantly turned down when he asks her out, cause she doesn’t want to be two timing her boyfriend, Hanover. Now Hanover is married but says that “he will divorce his wife and marry her”. Doug doesn’t exactly believe him but thinks that his hotel is more important and Andy can make her own decisions. But the more Doug spends with Andy, Doug is starting to wonder what is important.

Dahlia Williams is starting a new life; newly separated with a new job and a new apartment, she’s determined to put her relationship with her estranged husband behind her and devote herself to raising her daughter, Ceci. But when the strained separation disintegrates into a bitter custody battle, her situation takes a turn for the worse. Her new apartment—dilapidated, cramped, and worn—seems to take on a life of its own. Mysterious noises, persistent leaks of dark water, and strange happenings cause her imagination to run wild, sending her on a puzzling and mystifying pursuit to find out who is behind the endless mind games. As Dahlia frantically searches for the links between the riddles, the dark water seems to close around her. But one thing trumps all others in Dahlia’s world: no matter what it is that’s out there, she’ll stop at nothing to find it.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is racked with grief and guilt since her baby died in the crash which she and Max survived.

Based on a book by Andrew Neiderman, the film centers on a young lawyer who joins a New York firm only to discover that his boss has an increasingly bizarre personality.