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The plan was easy; the job was not. On a snowy night a tight crew of four criminals plan to pull off a routine heist. When things go horribly wrong, friendship, loyalty and trust are pushed to the limit.

Frank Bannister is a man who goes around town claiming that he can talk with and see ghosts, though while he can, some believe (though he is, in fact) a common con-man who gets ghosts to make it appear though there is a haunting in whichever house is chosen, wherein he sweeps into action and pretends to remove the ghosts. All this goes on until one day strange deaths start occurring all throughout town and Frank ponders this, while his love interest, Lucy Lynskey, whose husband had only just died of the same cause, goes to the house of a deranged old woman who keeps her grown-up daughter locked up, saying that it is for the good of everyone else. Soon, it is revealed that even the ghosts themselves can see the force that is killing everyone off; a deceased mass murderer come back from Hell itself to continue killing. It is therefore up to Frank, Lucy, as well as two ghosts, to find out how to end the fiendish ghost from killing any more, while all the while trying to shake off a deranged detective from arresting them both.

When Mona’s key won’t fit in her Yugo, she tries it in her son’s; when it works, she borrows his car. The brakes fail; she goes through the guard rail, into the river, and drowns. When police chief Rash learns that the brake lines were cut, he looks for a murderer. Suspect one: Mona’s dim son Jeff, whom she constantly denigrated. Suspect two: her husband Phil, whom she constantly belittled and who’s having an affair with Rona, a waitress with a secret of her own. Suspect three: Jeff’s landscape partner Bobby, who wants Jeff out, has yelled at Mona that he’d like to rip out her ovaries, and who is soon to be Rash’s son-in-law. Can Rash find the killer and keep Bobby out of jail?

Jayne Ferré needs to get out of Los Angeles fast. A strikingly beautiful woman, yet ruthless assassin for the mob; she is on the run with a suitcase full of a million dollars in blood money, stolen from mob boss Frank Bianci. Sixteen-year-old Kerry is on the run from a drug dealer set on payback. His mother Emily decides to take Kerry and start a new life in Texas, but doesn’t have enough money to get there. Jayne, who is now carrying a price on her head, must take out one would-be assassin at the train station before she offers to cover Emily’s expenses if she can hitch a ride to San Antonio. Emily and her son gladly accept the offer. The unlikely trio’s car breaks down and needs parts. They are left without a choice, so they check into a small motel for one night. While Jayne is showering, kerry sneaks a look through her belongings and discovers the case of cash. During the night, a well-meaning Kerry snakes into Jayne’s room and steals the briefcase, then hitches a ride back to Los Angeles. Jayne realizes what happened but first has to deal with Bianci’s men in a blazing gun battle outside the motel. Jayne forces Emily into a car and heads back to L.A. until Emily makes a daring escape. Alex Tyler, an FBI agent and seemingly Good Samaritan, picks Emily up and takes her back to L.A. At Emily’s house mob boss Frank Bianci is dead, along with a crooked detective, when Alex gets a call from Jayne, and it becomes clear that they are working together. Jayne has Kerry hostage and Emily must bring her money or she’ll kill him. But when Emily gets her hands on a gun, she turns the tables and a deadly standoff ensues between two trained killers, a couple of dirty cops, the mob, and a mother and son in what becomes a deadly game of wits to stay alive.

Rich playboy Charley Pearl meets Vicki Anderson, singer at a nightclub. But she’s a gangster’s-moll, Bugsy Siegel’s, and when he finds the two of them in bed, he forces them to marry each other. Charley was going to marry his girlfriend but when she finds out about him and Vicki, she leaves him. And Vicki doesn’t seem to be his kind of woman at all…