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A young lion prince is born in Africa, thus making his uncle Scar the second in line to the throne. Scar plots with the hyenas to kill King Mufasa and Prince Simba, thus making himself King. The King is killed and Simba is led to believe by Scar that it was his fault, and so flees the kingdom in shame. After years of exile he is persuaded to return home to overthrow the usurper and claim the kingdom as his own thus completing the “Circle of Life”.

In 16th century Venice, courtesans enjoy unique privileges: dressed richly in red, they read, compose poetry and music, and discuss affairs of state with the men who govern the Republic. When Veronica Franco comes of age, she cannot marry Marco Venier, whom she loves, because she is well born but penniless. Her choice: cloister or courtesan. She steels her heart, and with beauty and intelligence becomes the best. She’s a heroine when she helps convince France to aid Venice in war with Turkey, but when plague descends, the Church charges her with witchcraft. At her inquisition, she must match wits with an old rival, speak for all women, and call courage from Venier.

Imagine a cross between _Lion King, The (1994)_ (qv) and _Back to the Future Part II (1989)_ (qv). This is a separate story thread, that of Timon and Pumbaa, intertwined with the original story. Thus, along with seeing new events (e.g. Timon’s departure from the meerkat colony, Timon and Pumbaa’s first meeting, the origin of “Hakuna Matata”), we get to see a new perspective on (and some previously unseen causes for) some of the events in the original film. Oh, and the whole thing is told in a _”Mystery Science Theater 3000″ (1988)_ (qv) framework, with Timon and Pumbaa narrating and interacting with the “onscreen” movie.