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Frequently cynical screenwriter Charlie Kaufman has just taken on a new assignment. That is, to adapt writer Susan Orlean’s “The Orchid Thief” into a screenplay, all of it based on the life of the eccentric John Laroche, an exotic plant collector based out of Florida. While his easygoing twin brother Donald, is writing scripts with ease, Charlie finds himself on a perpetual struggle that never seems to end.

Yuppie Daniel Miller is killed in a car accident and goes to Judgment City, a waiting room for the afterlife. During the day, he must prove in a courtroom-style process that he successfully overcame his fears (a hard task, given the pitiful life we are shown); at night, he falls in love with Julia, the only other young person in town. Nights are a time of hedonistic pleasure, since you can (for instance) eat all you want without getting fat.

Lions for Lambs begins after two determined students at a West Coast University, Arian and Ernest, follow the inspiration of their idealistic professor, Dr. Malley, and attempt to do something important with their lives. But when the two make the bold decision to join the battle in Afghanistan, Malley is both moved and distraught. Now, as Arian and Ernest fight for survival in the field, they become the string that binds together two disparate stories on opposite sides of America. In California, an anguished Dr. Malley attempts to reach a privileged but disaffected student who is the very opposite of Arian and Ernest. Meanwhile, in Washington D.C. the charismatic Presidential hopeful, Senator Jasper Irving, is about to give a bombshell story to a probing TV journalist that may affect Arian and Ernest’s fates.

Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie’s narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions.

When an Egyptian terrorism suspect “disappears” on a flight from Africa to Washington DC, his American wife and a CIA analyst find themselves caught up in a struggle to secure his release from a secret detention facility somewhere outside the US.

The love which binds mother and daughter — seen through the prism of one mother’s life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this “Harris,” wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann’s life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some fifty years before, when she was Ann Grant, a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend, yet is even closer to Lila’s irrepressible brother Buddy. Unexpected feelings surge forth once Ann meets wedding guest Harris Arden, a lifelong friend and intimate of the Wittenborn family. Ann’s love for Harris will change her life, and those of her daughters, forever.

Miranda Priestley, of “Runway” magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone who is around her as is quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that she is not quite as hard as she tries to put on. Into this mix comes a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn’t know who Miranda Priestley is. She only sees this as a stepping stone to another journalism position. Showing no fashion sense and immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine’s fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all of the glamor that could be hers, including a flashy if not artificial freelance journalist, she is forced to make the decision of where she wants to be in her life.

Prime is a sophisticated, character comedy set in New York City about Rafi, a recently divorced 37-year-old career woman from Manhattan and what happens when Dave, a talented 23-year-old painter from the upper West Side of Manhattan falls in love with her. The film looks at love from everyone’s point-of-view friends, relatives and in this case, Rafi’s therapist Lisa, and follows all who comes apart and some who pull it together, when two people fall in love.

The movie is a celebrity version of Garrison Keillor’s radio show of the same name. The movie takes place during the last live performance of the show as the new radio network owners have sent an axeman (Tommy Lee Jones)to close the show. Another fantasy element is thrown in as an angel (Virginia Madsen) stalks the theater to take one of the performers. Keillor essentially plays himself, even using his own name for the character. Lily Tomlin and Meryl Streep play the singing Johnson Sisters, with Lindsay Lohan as a suicide-obsessed daughter of Streep. Woody Harrelson and John C. Reilly are hilarious as the slightly off-color singing cowboy duo, Dusty & Lefty. Kevin Kline is a security guard who act as the narrator. Maya Rudolph also appears as a pregnant stage coordinator. Contains some mild sexually-oriented jokes.

Gail (Meryl Streep) is a professional at water rafting. She twigs every day, and she is in a very good shape. She takes her family, one day, to a rafting trip down the river, but she has no idea that the planed trip is about to become a nightmare. Two escaping robbers with a handgun, meet the family in the way, and join them to the trip. Only later the Gail realize that their new friends are dangerous criminals, but it’s too late. The two men force them to stay together, and to keep cruising down the river. The family’s life are risked not only by the 2 men, but also by the river which becomes more stormy and wilder.