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The owner of the oil company Petrox Corporation, Fred Wilson, invests all his possessions searching oil in an unexplored island. The vessel leaves Surubaya, in Indonesia, with the stowaway Jack Prescott, who wants to protect an ape called Kong. While traveling, they find the castaway Dwan in the middle of nowhere in a rescue boat in the ocean and bring her on board. The group finds that the island is inhabited and the local natives worship a huge gorilla called Kong. They abduct Dwan to offer her in a sacrifice to Kong. The crew hikes into the jungle trying to rescue Dwan. King Kong falls in love with Dwan and protects her against a huge serpent. When Fred finds that the oil in the island is not ready for exploitation, he decides to capture Kong and bring him to New York for exhibition. In the middle of a show, King Kong escapes, bringing panic to the locals.

Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring “the other”: in Ben’s case, it’s friendship with Sylvia, a Black student; with Van, it’s a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues.

The California Angels are currently the worst team in their division. It seems that the players have a little trouble with their teamwork. Manager George Knox would like nothing better than to dump all of them, which the owner says is impossible. Roger is a boy whose mother died and is currently living in a foster home. His father feels that it would probably be in Roger’s best interest if he becomes a ward of the state. But Roger would rather that he and his father get back together, and when he asks his father if that is possible; his father’s reply is “when the Angels win the pennant”. Roger then prays and asks if they could help the team. When Roger goes to a game, he sees some Angels come down from the sky and they help the players make some astounding catches and hits. When Roger tells Mr. Knox about it, Mr. Knox decides to keep him at every game, and it seems that Mr. Knox’s faith is put to the test cause it seems that the angel are going to help if uses his worst players, but it seems to be working.

Brothers - older Stephen and three years junior Bloom - have been con artists since they were kids. Stephen is the mastermind, for who the intricacy of the story used in the con is as important as the positive outcome of the swindle. Bloom is the main character of Stephen’s stories, the character he considers the anti-hero. As adults, they travel the world and never enlist the same people twice in their cons, except for their consistent sidekick, the mysterious and primarily silent Bang Bang, a Japanese woman who just appeared in their lives one day and who has a penchant for blowing things up. As Bloom hits his mid-thirties, he wants to quit the business as he is losing his own identity to that of the characters he portrays; he doesn’t know anymore what is real and what is make-believe. Stephen talks him into one last con, the mark to be the eccentric, lonely but beautiful New Jersey heiress, Penelope Stamp. Penelope’s primary past-time in life is to, as she calls it, “borrow hobbies”: when she sees something she likes, she learns how to do it solely through reading books. As the brothers go through their final con on Penelope, three main problems may occur to thwart the plan. First, the brothers’ former mentor and now arch enemy, Diamond Dog, may exact his long awaited revenge on the brothers. Second, Penelope may end up being more unpredictable than all their former marks. And third, Bloom, who has let love slip by in his life, may fall for Penelope. But through the process, no one ever really knows who is conning who.

Depression era movie. The protagonist is a little boy whose mother is forced into a sanitarium and father gets a job as a traveling salesman. The boy fends for himself in a seedy SRO hotel. The focus is on the boy’s relationships with others and his struggle to survive.

n this tale of sex, violence, race, and rock and roll in 1950s Chicago, “Cadillac Records” follows the exciting but turbulent lives of some of America’s musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin’ Wolf, Etta James and Chuck Berry.

Butch “Bullet” Stein is a Jewish junkie from the mean streets of Brooklyn, is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank, and is soon right back into his old habits of snorting coke and shooting up heroin with his best friend Lester. Enraged by Butch’s affront and already determined to get revenge on him for a past wrong, Tank sets about getting even with his old enemy by hiring a hulking brute, Gates to beat Butch. When the confrontation occurs, however, Gates breaks his hand on the battle-hardened Butch. Besides Lester, the only people in Butch’s corner are his two brothers, the mentally-unhinged Vietnam War veteran Louis and aspiring artist Ruby, neither of whom can be counted on to help him in the inevitable showdown.

Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other — to become brothers again like they used to be. Their “spiritual quest”, however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray), and they eventually find themselves stranded alone in the middle of the desert with eleven suitcases, a printer, and a laminating machine. At this moment, a new, unplanned journey suddenly begins.

A masochistic cop (Maura Tierney), who hides her predilection from her cop husband (Terry Kinney), gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini (Adrien Brody), who has kidnapped a rich woman (Laila Robins) and has buried her somewhere in Manhattan while demanding a ransom from her tycoon husband (James Naughton). Failure to pay the ransom within 24 hours will lead the kidnapper to abandoning the woman. Dylan Baker also appears as the fed that is assigned to the case.