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In a desperate attempt to save his rapidly failing used car dealership, Ben Selleck hires a crack team of “car mercenaries” to ramp up sales during the Fourth of July weekend. Led by the fast-talking, foul-mouthed, self-assured Don “The Goods” Ready, the group has three days to sell over 200 cars. But as Don undertakes his newest mission, and quickly falls for the boss’s daughter Ivy, he realizes he’ll have to trust more than his cars and his crafty skills in deceit to make a success out of the daunting weekend.

On his latest expedition, Dr. Rick Marshall (Ferrell) is sucked into a space-time vortex alongside his research assistant (Friel) and a redneck survivalist (McBride). In this alternate universe, the trio make friends with a primate named Chaka (Taccone), their only ally in a world full of dinosaurs and other fantastic creatures. Can they all make it back to our world alive, and if so: Will Dr. Marshall can go from zero to hero with his discoveries?

The man with the yellow hat named Ted Shackleford works at a natural history museum that’s fallen on hard times. The museum director’s son wants to turn it into a parking lot, but Ted offers to bring back a mysterious idol from Africa that’s guaranteed to pull in crowds. Unfortunately, the idol turns out to be three inches tall. But Ted accidentally brings back a lonely yet irrepressible monkey, soon dubbed George. They set off on a non-stop action, fun-filled journey through the wonders of the big city toward the warmth of true friendship.

Two spoiled guys become competitive stepbrothers after their single parents get hitched.

For twelve years, the methodic IRF agent Harold Crick has had a routine lonely life guided by his wristwatch. However, one day he hears the narration of his life in off, telling that he is going to die pretty soon. Meanwhile, he audits Ana Pascal, the owner of a bakery that is in debt with the IRF, and falls in love for her. Harold is advised by Professor Jules Hilbert to change his monotonous lifestyle while he tries to find Karen Eiffel, the author of the story of his life, who is researching means of killing the character, and convince her to change the ending of the story.

When Mona’s key won’t fit in her Yugo, she tries it in her son’s; when it works, she borrows his car. The brakes fail; she goes through the guard rail, into the river, and drowns. When police chief Rash learns that the brake lines were cut, he looks for a murderer. Suspect one: Mona’s dim son Jeff, whom she constantly denigrated. Suspect two: her husband Phil, whom she constantly belittled and who’s having an affair with Rona, a waitress with a secret of her own. Suspect three: Jeff’s landscape partner Bobby, who wants Jeff out, has yelled at Mona that he’d like to rip out her ovaries, and who is soon to be Rash’s son-in-law. Can Rash find the killer and keep Bobby out of jail?

Male supermodel Derek Zoolander is on his way down after three years of continuously winning the “Male Model of the Year” award. When he is beaten by the hot newcomer Hansel, Derek starts searching for a new meaning in his life. Just then fashion czar Mugatu offers Derek a comeback in his new “Derelicte”-line. What nobody suspected is that Mugatu plans to assassinate the new Malaysian Prime Minister on his visit to New York, so that cheap child labor is still available for Mugatu’s fashion producing. By brainwashing Zoolander, Mugatu and his evil associate Katinka create a dumb and willing killer to do the job. Only in Time Magazine journalist Matilda suspicion arises slowly, and she tries to stop Derek.

Jackie Moon, the owner-coach-player of the American Basketball Association’s Flint Michigan Tropics, rallies his teammates to make their NBA dreams come true

Family man Phil Weston, a lifelong victim of his father’s competitive nature, takes on the coaching duties of a kids’ soccer team, and soon finds that he’s also taking on his father’s dysfunctional way of relating…

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…