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A writer attempting to finish her first novel seeks the wisdom of her mentor and ex-lover in hopes of overcoming a crippling case of writer’s block in writer/director Kurt Gunn’s enigmatic thriller. Marian (Carrie Preston) is writing an absurdist novel about a par of brothers living in a landlocked boat when the ideas simply stop coming. Advised that she could overcome her problem by simply killing off the protagonist, Marian discovers that task is easier said than done when the willful character escapes the pages of her book and begins wrecking havoc in her personal life.

Ike Graham, New York columnist, writes his text always at the last minute. This time, a drunken man in his favourite bar tells Ike about Maggie Carpenter, a woman who always flees from her grooms in the last possible moment. Ike, who does not have the best opinion about females anyway, writes an offensive column without researching the subject thoroughly. The next day, Ike gets fired by his publisher (and former wife), because he went too far and faked the facts, which real journalists don’t do. Ike’s only way back into the business now is to do a fact-based report on Maggie and her upcoming fourth wedding attempt, which Ike predicts to fail again. So, as he circles her like a vulture his prey-to-be, Maggie’s opinion of Ike sinks below zero. Not only is Ike waiting for her to fail again but the whole town is poking fun at Maggie about her mistakes. But that is a point which Ike doesn’t like.

A group of guys who sang together in a college a cappella group reunite 15 years later to perform at a friend’s wedding and discover how their lives have progressed — and in some cases regressed — since their college heyday.

Courtroom thriller about a slick, hotshot lawyer (Richard Gere) who takes the seemingly unwinnable case of a young altar boy (Edward Norton) accused of murdering an eminent catholic priest.