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Two petty if violent criminals kidnap a girl being paid $1m to be a surrogate mother. As the baby is for a gangster the pair’s demand for money sees several henchmen and assorted other ruthless characters head after them to Mexico. Bullets rather than talking are always going to settle this one.

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

District attorney Ford Cole is running for mayor, promising to capture the city’s elusive crime boss, Danny Ludin. On the night of a gas link in the inner city, his interview with a national reporter is interrupted by word that his best prosecutor, Nora Timmer, who’s also his lover, has killed a man she claims was assaulting her. A few minutes later, a man shows up at Cole’s office claiming it was murder, implicating Nora in complicated schemes and crimes. Cole wants a few hours to get to the bottom of a mess that quickly includes land deals, shell corporations, and political corruption. Who’s setting up whom?

An Army sergeant (Samual Jackson) takes six of his special troops on a training mission into the rain-soaked Colombian jungles and only two come out alive. When the rescue mission arrives, they see one soldier (Brian Van Holt) killing another and carrying a wounded comrade (Giovanni Ribisi). As the interrogation begins, the soldier refuses to talk to anyone other than another Ranger. The investigating officer (Connie Nielsen) protests, but her commanding officer (Timothy Daly) nonetheless brings in a former Ranger and current DEA agent (John Travolta) to help. The agent is currently on suspension from DEA for allegedly accepting a bribe. From this point on, the plot continues to twist and turn and offers numerous surprises that keeps the story interesting.

In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. Whe he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it.

This film adaptation of Jonathan Larson’s Pulitzer Prize and Tony Award winning rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark (Anthony Rapp) and Roger (Adam Pascal), two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story. Rosario Dawson, Jesse L. Martin, Idina Menzel, Wilson Jermaine Heredia, Tracie Thoms, and Taye Diggs also star.

When an eccentric millionaire offer a group of opposites $1,000,000 to spend the night in a so called “Haunted House” with a murderous past, they figure it is a quick way to get quick money and leave. All of them are sure it is some made up story just to mess with their heads a little and test their courage. But, once they stay in the house they start to think about the mistake they made in coming there when mysterious things start to happen.