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In the early 1960’s, sixteen year old Jenny Mellor lives with her parents in the London suburb of Twickenham. On her father’s wishes, everything that Jenny does is in the sole pursuit of being accepted into Oxford, as he wants her to have a better life than he. Jenny is bright, pretty, hard working but also naturally gifted. The only problems her father may perceive in her life is her issue with learning Latin, and her dating a boy named Graham, who is nice but socially awkward. Jenny’s life changes after she meets David Goldman, a man over twice her age. David goes out of his way to show Jenny and her family that his interest in her is not improper and that he wants solely to expose her to cultural activities which she enjoys.

While traveling on the road with his wife Lindsey and his daughter Regina, Hatch Harrison has a car accident, hitting a truck and falling with his wife in a river. He dies for more than two hours, but the specialist Dr. Jonas Nyebern successfully brings him back to life. Hatch has some weird premonitions and becomes able to see through the eyes of the psychopath serial killer Vassago, a young man that killed his mother and his sister and committed suicide and was also brought back to life and now is killing young women and teenagers. When he foresees that Vassago is trying to capture his daughter, Hatch tries to find the criminal first, in spite of Lindsay, Regina and the detective in charge of the investigation believe that he needs psychiatric help.

Captain Etienne Navarre is a man on whose shoulders lie a cruel curse. Punished for loving each other, Navarre must become a wolf by night whilst his lover, Lady Isabeau, takes the form of a hawk by day. Together, with the thief Philippe Gaston, they must try to overthrow the corrupt Bishop and in doing so break the spell.

A Puerto Rican family living in the area of Humboldt Park in west Chicago face what may be their last Christmas together.

Insp. Jacques Clouseau teams up with a squad of International detectives who are just as bumbling as he is. Their mission: Stop a globe-trotting thief who specializes in stealing historical artifacts.

When the Amazon princess Diana escorts pilot Steve Trevor home to the United States after his crash-landing on the mystical island of Themyscria, she must also deal with the ambitions of the Greek god Ares. Ares intends to use an ancient artifact, the Hand of Rage, to plunge the world into a centuries long war that will also ensure his revenge against Themyscria’s Amazons. To save her people and the world, Diana must become Wonder Woman.

Together in Rome to shoot a film, a German actress (McCormack) and an English actor (Pryce) contend with forces that complicate their romance as well as the production itself.

Enough is enough for Mr. Weeks as the wretched noise coming from his neighbors apartment continues to prevent him from a good night sleep, after plucking up the courage after his complaints went unheard he decides to take matter’s into his own hands. But poking his nose into the business of the lodger in number 16 is the worst mistake he could ever make, as a disturbing secret is revealed which could well be the answer to the mysterious disappearances in the great city of London back in the 70’s.

This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain’s finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it’s hard to find fault with the rendering of this familiar story—it is respectful and definitely done, you might say, by the Book—it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss—none of which is helped by the figures’ blank-eyed stares (if animators are becoming ever more sophisticated, why can’t they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won’t insult their kids’ intelligence will be thrilled.

Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna’s companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it’s love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone.