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Austin Powers (Myers) is a 60’s spy who is cryonically frozen and released in the 1990’s. The world is a very different place for Powers. Unfortuantly for Austin, everyone is no longer sex-mad. Although he may be in a different decade, his mission is still the same. He has teamed up with Vanessa Kensington (Hurley) to stop the evil Dr. Evil (Myers), who was also frozen in the past. Dr. Evil stole a nuclear weapon and is demanding a payment of (when he realises its the 90’s) 100 billion dollars. Can Austin Powers stop this madman? or will he caught up with Evil’s henchman, with names like Alotta Fagina and Random Task? Only time will tell!

Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.

Cynthia, TV producer, has an idea about how to save the station: A normal person’s life should be broadcasted 24 hours a day. “Ed TV” is born the second her eye falls on Ed Pekurny, a sympathetic Joe Sixpack. After the first week on air Eds fame grows and grows, but conflicts break open: His brother Ray publishes a very negative book about Ed, who now dates Ray’s ex; Ed’s parent’s partnership problematics are broadcasted nationwide and a very attractive and seducing model uses innocent Ed to raise her own fame. Also, Ed’s contract proves to be unquittable, so that Ed Pekurny suddenly can see the golden bars around his cage. But in a country that switches the TV set on for breakfast and off for bedtime, nearly everything can happen - and people can be counted on.

A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness. The plot weaves between the narrative of the eyewitness and Jean’s private struggle with jealousies and suspicions as her marriage teeters.

Elliot Richards, a socially incompetent technical advisor working at a call-center, has had a crush on Alison Gardner for nearly four years. One evening, which already started particularly bad for Elliot, she ditches him. Elliot wishes for her to be in his life with all his heart - and is heard. An incredibly beautiful young lady addresses Elliot, and after introducing herself as the Devil, Lucifer, the Princess of Darkness, she offers him a deal: Seven wishes for him, his Soul for her. Quickly, Elliot is convinced and accepts. But every wish he gets fulfilled has massive disadvantages as well, and soon Elliot wants to get out of the contract. The only thing that matters to him now is being able to take his chances by himself.

When Sara (Elizabeth Hurley) is served divorce papers while she is in New York, she is stunned. Not about to lose the fortune she amassed with her self-serving Texas husband, she makes an offer to her process server, Joe (Matthew Perry) that sets them off on a wild trip across the country.

An infamous terrorist has evaded capture for a long time by being extremely clever and ruthless. Things get interesting when he hijacks a plane carrying famous security expert John Cutter, who isn’t about to stand this sort of thing.