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As a child Jack Brooks witnessed the brutal murder of his family. Now a young man he struggles with a pestering girlfriend, therapy sessions that resolve nothing, and night classes that barely hold his interest. After unleashing an ancient curse, Jack’s Professor undergoes a transformation into something not-quite- human, and Jack is forced to confront some old demons… along with a few new ones.

In a teen chat room, Genevieve Gage (Linda Cardellini), the teenager daughter of detective Mike Gage (Kevin Gage) is invited to a blind date by the cool Capt Howdy (Dee Snider). The guy is indeed a pierced a schizophrenic sick and sadistic maniac, and he kidnaps Genevieve and her friend Tiana Moore (Amal Rhoe). He submits the girls and other adolescents to tortures. When the body of Tiana is found, Mike hunts Capt Howdy and puts him in jail first and then he is sent to a mental institution. Four years later, Capt Howdy is considered rehabilitated and released from the asylum, against the will of the local population. After an incident, Capt Howdy abducts Genevieve again, and Mike promises to kill him.

The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.

Potters Bluff, Rhode Island. may seem to be a sleepy little town. At least for the casual visitor and the local sheriff, Daniel Gillis. However, all of a sudden, there are a lot of strange murders where strangers or people passing through are killed by mobs of townspeople. Only Sheriff Gillis has no clue to what’s going on. Fortunately, the town has an excellent undertaker, William G. Dobbs, who is happy to take care of this sudden death-wave which is good for his business. Gillis soon discovers clues that lead to many of the local inhabitants involved in the killings, including his own wife Janet.

It’s been nearly ten years since Freddy Krueger (Englund) terrorised people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Vorhees (Kirzinger) and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realises that Jason isn’t going to step aside easily, and must be taken down himself.

An older, reclusive man’s best friend and inspiration for living is his 14-year-old dog named “Red”. When three troublesome teens kill the dog for no good reason, the grieving man sets out for justice and redemption by whatever means available to him.

A motley crew of tourists embark on a boat ride of the haunted Louisiana bayous where they learn the terrifying tale of local legend “Victor Crowley”; a horribly disfigured man who was tragically and accidentally killed with a hatchet by the hands of his own father. But when the boat sinks and the ghost story turns out to be real, the group tries desperately to escape the swamp with their lives…and all of their pieces.

On Elm Street, Nancy Thompson (Langenkamp) and a group of her friends including Tina Gray (Wyss), Rod Lane (Garcia) and Glen Lantz (Depp) are being tormented by a clawed killer in their dreams named Freddy Krueger (Englund). Nancy must think quickly, as Freddy tries to pick off his victims one by one. When he has you in your sleep, who is there to save you?

A new family moves into the house on Elm Street, and before long, the kids are again having nightmares about deceased child murderer Freddy Krueger. This time, Freddy attempts to possess a teenage boy to cause havoc in the real world, and can only be overcome if the boy’s sweetheart can master her fear.

In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into “Super Zombie Strippers” the girls struggle with whether or not to conform to the new “fad” even if it means there’s no turning back.