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An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. A film noir reminiscent of the stories of Elmore Leonard, ALL HAT is adapted from the novel by Brad Smith; Smith also penned the screenplay. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn. Sonny Stanton, gambling addict and spoiled heir to a thoroughbred dynasty, is in the process of buying up an entire concession of farmland to build a casino and golfing resort, and the only one brave enough to stand in the way of Sonny is Etta Parr, Ray’s old flame, who might be willing to forgive Ray if it wasn’t for her pride and common sense. The situation is a minefield, one Ray is determined to avoid. He hooks up with Chrissie, a sexy, sassy and talented jockey and steers clear of Sonny. But when a ten-million-dollar thoroughbred goes missing from the Stanton Stables, Sonny pushes things too far and forces the sale of the community’s remaining farms. Ray reacts by coming up with a plan to stop Sonny in his tracks and right a few wrongs in the process. The scheme is unlikely and audacious; the players are as unpredictable as nitroglycerin. One false move and Ray will land back in jail. And the smart money is against him.

Death Row guards at a penitentiary, in the 1930’s, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift.

An FBI man with Sioux background is sent to a reservation to help with a murder investigation, where he has to come to terms with his heritage. Slowly he rejects the intimidating tactics of his fellow FBI agents, who are not so interested in solving the crime as covering up an incriminating situation with the locals, and as he becomes more tuned to his heritage, the locals begin trusting him. Based on actual Reservation occurrences of the ’70s.

Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs “Two-socks” and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man’s ways.

A man calling himself “Simon” begins a reign of terror in the streets of New York: he threatens to detonate bombs around the city unless Detective John McClane cooperates in a game of “Simon Says”. McClane has a bad hangover and a bad attitude, and isn’t in the mood for games, especially this one.

Maverick is recreated from the character James Garner created in the 1950s TV program. Maverick is a gambler who would rather con someone than fight them. He needs an additional three thousand dollars in order to enter a Winner Take All poker game that begins in a few days. He tries to win some, tries to collect a few debts, and recover a little loot for the reward, all with a light hearted air. He joins forces with a woman gambler with a marvelous, though fake, southern accent as the two both try and enter the game.