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Mykelti Williamson and Justin Lazard are a pair of astronauts who make the first successful manned mission to Mars. Lazard’s character gets infected by an alien and slowly begins to mutate. When they get back to Earth all he has on his mind is to have sex with Henstridge!

Military police detectives Paul Brenner and Sarah Sunhill investigate a horrifically bizarre rape and murder of a respected female Pysch-Ops officer who is also the daughter of a renowned retiring general. Yet the case becomes more complicated when the autopsy showed no evidence of sexual assault. Furthermore, that is but the beginning of the twists when they discover the victim’s secret life, her past and a disturbing determination by senior staff to keep this investigation short and quiet.

The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable - marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter’s future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire - then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends and fortune.

Death Row guards at a penitentiary, in the 1930’s, have a moral dilemma with their job when they discover one of their prisoners, a convicted murderer, has a special gift.

Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter’s old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father’s persona as The New Goblin, and Peter must also capture Uncle Ben’s real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter’s suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter’s personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also…himself.

Paul “Wrecking” Crewe was a revered football superstar back in his day, but that time has since faded. But when a messy drunk driving incident lands him in jail, Paul finds he was specifically requested by Warden Hazen (James Cromwell), a duplicitous prison official well aware of Paul’s athletic skills. Paul has been assigned the task of assembling a team of convicts, to square off in a big football game against the sadistic guards. With the help of fellow convict Caretaker, and an old legend named Nate Scarborough to coach, Crewe is ready for what promises to be a very interesting game. It’s only the warden and the guards who have no idea who or what they’re up against, with Paul the driving force behind the new team.

The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public’s demand for an overt display of mourning.

Set in a future Earth (2035 A.D.) where robots are common assistants and workers for their human owners, this is the story of “robotophobic” Chicago Police Detective Del Spooner’s (Smith) investigation into the murder of Dr. Alfred Lanning (James Cromwell), who works at U.S. Robotics, in which a robot, Sonny (Tudyk), appears to be implicated, even though that would mean the robot had violated the Three Laws of Robotics, which is apparently impossible. It seems impossible because.. if robots can break those laws, there’s nothing to stop them from taking over the world, as humans have grown to become completely dependent upon their robots. Or maybe… they already have? Aiding Spooner in his investigation is a psychologist, Dr. Susan Calvin (Moynahan), who specializes in the psyches of robots.

Ben Mears, a writer returns to the small Maine town of Jerusalem’s Lot (also known as Salem’s Lot), where he spent the first few years of his life, to write a book. Little does he or the townfolk realize that a couple of other new residents are coming…Straker, a antiques dealer, and his partner and master Barlow, a ancient and malevolent vampire bent on making Salem’s Lot his new home.

1950’s Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.