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After the assault, rape and murder of her 17-year-old daughter at home, Karen becomes obsessed with putting the rapist behind bars. What Karen soon finds is that the criminal justice system is more interested in procedure than justice and soon frees the killer of her daughter on a vague technicality. Karen finds that she has no options but to proceed with her own plans for justice as the system has again failed to protect the innocent and the victims.

Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and rock and roll is pushing the Four Lads off the Hit Parade. Ben, a high school senior, and his older brother Van are exploring “the other”: in Ben’s case, it’s friendship with Sylvia, a Black student; with Van, it’s a party in the WASP part of town and falling for a debutante, Dubbie. Sylvia gives Ben tickets to a James Brown concert; Dubbie invites Van to a motel: new worlds open. Meanwhile, their dad Nate, who runs a numbers game, loses big to a small-time pusher, Little Melvin; a partnership ensues.

West of Brooklyn takes us on a heartfelt and often humorous journey from Brooklyn, New York to Hollywood, California. “Sebi” (Ronnie Marmo) is a young Italian American man, a simple street kid and a secret beat poet, who after the death of his mother (Liz Torres) escapes Brooklyn to join his crew of friends who recently relocated to L.A. These colorful characters from New York are truly fish out of water in L.A. and Sebi longs to find a place he can feel at home. Sebi’s friends, a beautiful rich girl from Beverly Hills named “Matty” (Natalia Livingston), and his idol, a famous Bronx poet named “Gaetano D’Amico” (Joe Mantegna) bring Sebi face to face with his identity and help him find the courage to be exactly who he was all along.

Bubba Mabry, a gullible private detective, becomes the prime suspect in a tabloid reporter’s murder after being hired to snoop on him by a mysterious celebrity.

When silent film stars Lucky Day, Dusty Bottoms and Ned Nederlander get fired, they take a job offer from Mexico: Doing a show with El Guapo, supposedly the most famous actor there. Traveling there in hope of getting good money, they arrive only to learn soon that El Guapo is not an actor, but a cruel gang leader suppressing people. He abducts the mayor’s beautiful daughter Carmen (to be his wife) in revenge for the people’s cry for help. Now, all hopes of the village folks rest on the weak shoulders of three minor-talented actors, who can’t just walk off the set this time.

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong?

A young couple sinks their life savings into a house that was trashed by a rock group to the extent that it no longer has a main stairway or water. This creates strains on their relationship. Every home owner will recognize some of the situations they encounter.

When Spence and Hogan graduate from college, life is bleak. They have to work for heinous divorce lawyers that torture them. Spence has a girlfriend from hell and Hogan just wants to start his life already. As luck would have it, our two young men are presented with an opportunity, they develop a club of young men devoted to the older woman, the “Cougar” if you will. It is this club that ultimately guides our two heroes into young adulthood.

Homer adopts a pig who’s run away from Krusty Burger after Krusty tried to have him slaughtered, naming the pig “Spider Pig.” At the same time, the lake is protected after the audience sink the barge Green Day are on with garbage after they mention the environment. Meanwhile, Spider Pig’s waste has filled up a silo in just 2 days, apparently with Homer’s help. Homer can’t get to the dump quickly so dumps the silo in the lake, polluting it. Russ Cargill, the villainous boss of the EPA, gives Arnold Schwarzenegger 5 options, forcing him to choose 4 (which is, unfortunately, to destroy Springfield) and putting a dome over Springfield to prevent evacuation. Homer, however, has escaped, along with his family. Can he stop the evil Cargill from annihilating his home town, and his family, who have been forced to return to Springfield?

Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.