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Based on the true story of Australian pianist David Helfgott, this delightful movie charts the early and traumatic early years. Telling the story in flashback we see David as he grows up and into a child prodigy while his father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.

Nearly a decade after Cate Blanchett drew the attention of audiences and critics alike with ELIZABETH, the Oscar-winning actress returns to the role of the Virgin Queen. Though the protestant ruler has been on the throne for decades in 1585, Elizabeth I’s reign is still under attack from both inside her country and from the continent. Her cousin, Mary, Queen of Scots (Samantha Morton), carries the favour of the nation’s Catholics as she schemes for the throne from prison, while Spain’s King Philip II (Jordi Molla) plots an invasion with the power of his famous armada. But Elizabeth is also concerned with the arrival of Sir Walter Raleigh (Clive Owen), a charming pirate and adventurer. Unable to reconcile her feelings with her crown, she encourages Bess (Abbie Cornish), her beloved lady-in-waiting, to pursue a relationship with Raleigh.
Nine years haven’t dulled Blanchett’s ability to play this—or any other—character with an impressive range of fire and tenderness. Her chemistry with the infinitely watchable Owen is one of the film’s highlights. As in ELIZABETH, director Shekhar Kapur doesn’t restrict himself from using artfully constructed shots that aren’t normally used in period dramas. It’s a modern retelling of history, and Kapur and his director of photograpy, Remi Adefarasin, aren’t content to let the film have the standard look of many films in the genre. Costume designer Alexandra Byrne follows the same logic, creating stunning dresses for Elizabeth that draw inspiration both from modernity and the time period. If Blanchett weren’t such a gifted actress, the gorgeous costumes might threaten to overtake her as the star of the film.

In Champion City, would be superheroes like The Shoveler, The Blue Raja and Mr. Furious can’t seem to make a difference and impress either the city or its greatest superhero, Captain Amazing. However, when Captain Amazing is captured by his greatest enemy, Cassanova Frankenstein, these stumblebum heroes must join with other superhero hopefuls to save the Captain and the city.

Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Miles Massey, a prominent Los Angeles divorce attorney has everything—and in some cases, two of everything. Despite his impressive client list, a formidable win record, the respect of his peers and an ironclad contract (the Massey pre-nup) named after him, he’s reached a crossroads in his life. Sated on success, boredom has set in and he’s looking for new challenges. All that changes when Miles meets his match in the devastating Marylin Rexroth. Marylin is the soon-to-be ex-wife of his client Rex Rexroth, a wealthy real estate developer and habitual philanderer. With the help of hard charging private investigator Gus Petch, she has Rex nailed and is looking forward to the financial independence a successful divorce will bring. But thanks to Miles’ considerable skills, she ends up with nothing. Not to be outdone, Marylin schemes to get even and as part of her plan, quickly marries oil tycoon Howard Doyle. Miles and his unflappable associate, Wrigley, unwittingly dig themselves in deeper and deeper as they go head-to-head with Marylin. Underhanded tactics, deceptions and an undeniable attraction escalate as Marylin and Miles square off in this classic battle of the sexes.

John LeCarre’s spy thriller is brought to the big screen. A British spy (Pierce Brosnan) is banished to Panama after having an affair with an ambassador’s mistress. Once there he makes connection with a local tailor (Geoffrey Rush) with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife (Jamie Lee Curtis), who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous fictional tale about former mercenaries who are ready to topple the current government and are willing to work with Britain and the US to do so.

After Elizabeth (Keira Knightly), Will (Orlando Bloom), and Captain Barbossa (Geoffrey Rush) rescue Captain Jack Sparrow (Johnny Depp) from the clutches of the Kraken, they must face their foes, Davey Jones (Bill Nighy) and Lord Cutler Beckett (Tom Hollander). Beckett, now with control of Jones’ heart, forms a dark alliance with him in order to rule the seas and wipe out the last of the Pirates. Now, Jack, Barbossa, Will, Elizabeth, Tia Delma, and crew must call the Pirate Lords from the four corners of the globe, including the infamous Sao Feng (Chow-Yun Fat), to a gathering that will make their final stand against Beckett, Jones, Norrington, the Flying Dutchman, and the entire East India Trading Company.

Marlin (a clown fish) is a widower who only has his son Nemo left of his family after a predator attack. Years later, on Nemo’s first day of school, he’s captured by a scuba diver and taken to live in a dentist office’s fish tank. Marlin and his new absent-minded friend Dory set off across the ocean to find Nemo, while Nemo and his tankmates scheme on how to get out of the tank before he becomes the dentist’s niece’s new pet.

When fiftysomething Suzette loses her job as a bartender she decides to make a road trip to visit her old friend Vinnie who she hasn’t seen since their days as groupies back in the day. On the way she meets Harry, a nervous writer who says he is going home to confront his father, then shows her his gun. Once they reach their destination Suzette finds that Vinnie is now Lavinia, a conservative housewife who is reluctant to reexperience the flower power of her youth, and Harry finds confrontation with himself rather than with his father.

This story is a narration from an Australian man who falls in love with two kinds of Candy: a woman of the same name and heroin. The narrator changes from a smart-aleck to someone trying to find a vein to inject, while Candy changes from an actress, call girl, streetwalker, and then a madwoman. Starting in Sydney, the two eventually end up in Melbourne to go clean, but they fail. This leads them to turn to finding money and heroin, while other posessions and attachments become unimportant.