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“The Boat That Rocked” is an ensemble comedy in which the romance takes place between the young people of the ’60s and pop music. It’s about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz. The Count, a big, brash, American god of the airwaves; Quentin, the boss of Radio Rock — a pirate radio station in the middle of the North Sea that’s populated by an eclectic crew of rock and roll DJs; Gavin, the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Dave, an ironic, intelligent and cruelly funny co-broadcaster; and a fearsome British government official out for blood against the drug takers and lawbreakers of a once-great nation.

Iago (Kenneth Branagh) convinces Othello, The Moor of Venice (Lawrence Fishburne) that his wife, Desdemona has been unfaithful. Iago is an evil, manipulative character with his own agenda. A plot of jealousy and rage transpires in this classic Shakespearean tale.

In 1517, Spanish-wanted street swindlers Miguel and Tulio’s uncanny luck gets them a map to El Dorado and a stowaway passage, albeit in Cortez’s stocks destined for floggings and slavery on Cuba. They escape, thanks to the war horse Altivo; a storm brings them on a Mexican shore fitting the map, so they enter the city, where high priest Tzekel-Kan welcomes them as the prophesied gods, accidentally confirmed by a volcanic rumble. Only temple thief Chel sees trough their game, so she’s allowed into the scam to steal the golden treasure. They abolish human sacrifices and learn the high-priest rivals for power with the chief, so they play them against each-other. Meanwhile Cortez arrives and follows the tramps’ trail. When Tzekel-Kan tricks Tullio into reintroducing sacrifices, the river of blood tradition requires to start the jaguar age, Miguel braves him, making a dangerous enemy who uses black magic having realized they’re mortal. Now two major dangers attack the city and its ‘patron gods’.

‘It’ is a Psammead (voiced by Eddie Izzard), an ancient, ugly and irritable sand fairy the children find one day on a secret beach at their uncle’s mansion. It grants them one wish per day, lasting until sunset. But they soon learn it is very hard to think of really sensible wishes, and each one gets them into unexpected difficulties. Magic, the children find, can be as awkward as it is enticing.

Two hundred years after Mary Shelley’s novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O’Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil.

Shy, chain-smoking, insomniac Peter McGowan is an L.A. playwright with a string of hits that preceded his current ten years of failed productions. His mother-in-law is sinking into senility, a stranger is meandering the neighborhood claiming to be him, neighbors have a new dog that barks all night; his wife wants to have a child, and he does not: he’s become impotent. He’s working on a new play when a single mom moves in next door with her 8-year-old daughter. His wife immediately invites the girl into the McGowan household. Will this child stir Peter’s paternal feelings? Will she also help him get his dialogue right? And what of his doppelganger and the neighbor’s dog?

Harry Potter is in his second year of Hogwarts School of Witchcraft and Wizardry. He is visited by a house-elf named Dobby and warned not to go back to Hogwarts. Harry ignores his warning, and returns. He is still famous, although still disliked by Snape, Malfoy, and the rest of the Slytherins. But then, strange things start to happen. People are becoming petrified, and no-one knows what is doing it. Harry keeps hearing a voice.. a voice which seems to be coming from within the walls. They are told the story of the Chamber of Secrets. It is said that only Salazar Slytherin’s true descendent will be able to open it. Harry, it turns out, is a Parsel-tongue. This means that he is able to speak/understand snakes. Everyone thinks that it’s him that has opened the Chamber of Secrets because that is what Slytherin was famous for.

Jim West is a guns-a-blazing former Civil War hero. Artemus Gordon is an inventive U.S. Marshal who excels in disguise. When the United States is threatened by psychotic Confederate Arliss Loveless, President Ulysses Grant teams the duo up to bring him to justice. On a hazard-packed train journey from Washington to Utah, West and Gordon must combine their skills to best Loveless and his diabolical machines.