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A science-fiction writer, recently widowed, considers whether to adopt a hyper-imaginative 6-year-old abandoned and socially rejected boy who says he’s really from Mars.

An attorney (Ben Affleck) in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman (Samuel Jackson), who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties’ part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity.

A department store executive (Flanery) tries to resist falling in love with a young woman (Gellar), who he believes has possessed magical powers after inheriting a restaurant.

A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company’s law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields.

Igby Slocumb, a rebellious and sarcastic seventeen year-old boy, is at war with the oppressive world of his East Coast “old money” family. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there, and he sets out to find it. After happily flunking out of several Prep Schools, Igby escapes into the bohemian underworld of Manhattan. His darkly comic trip—shared by a deviant cast of characters, including his terminally bored, part-time lover Sookie, his Godfather’s trophy mistress Rachel, and smack-dealing performance artists Russel—veers from bizarre to tragic in Igby’s ultimately noble attempt to keep himself from “going down.”

Two dim-witted former high school buddys and Neil Diamond fanactics, Wayne and J.D., plot to keep their friend Darren from marrying the wrong woman, a domineering and spiteful psychologist named Judith by kidnapping her and trying to set Darren up with his old high school girlfriend Sandy who plans to become a nun.

Thanks to falsified dental records supplied by his former neighbor Nicholas Oz Oseransky, retired hitman Jimmy The Tulip Tudeski now spends his days compulsively cleaning his house and perfecting his culinary skills with his wife, Jill, a purported assassin who has yet to pull off a clean hit. Suddenly, an uninvited and unwelcome connection to their past unexpectedly shows up on Jimmy and Jill’s doorstep: it’s Oz, and he’s begging them to help him rescue his wife from the Hungarian mob. To complicate matters even further, the men, who are out to get Oz, are led by Lazlo Gogolak, a childhood rival of Jimmy’s and another notorious hitman. Oz, Jimmy and Jill will have to go the whole nine yards—and then some—to manage the mounting Mafioso mayhem.

Oz is a Montréal dentist, paying off debts so he can divorce his wife: the dislike is mutual. When she learns their new neighbor is hit man Jimmy the Tulip, with a price on his head, she sends Oz to Chicago to earn a finder’s fee telling Mob boss Yanni where to find Jimmy. To get his wife off his back, Oz goes, his assistant Jill urging him to get laid while there. One of Yanni’s men awaits Oz at the hotel; Oz’s now in too deep to avoid telling Yanni what he knows. Meanwhile, Oz’s wife rats on Oz to Jimmy, hoping Jimmy will kill Oz and she can cash in on life insurance. Oz meets Jimmy’s wife (Yanni’s captive), flips for her, and the double-crosses mount. Even Jill isn’t whom she seems.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Harry Langer (Nicholson) is an aged music industry exec with a fondness for younger women like Marin (Peet), his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin’s mother Erica (Keaton). Left in the care of Erica and his doctor (Reeves), a love triangle starts to take shape.