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When a young boy falls ill, his grandfather pops round to visit him. To cheer his grandson up, Grandpa has brought a storybook; The Princess Bride, a tale of the love between the beautiful Buttercup and the besotted Westley, a love cruelly interrupted by Westley’s tragic apparent death at sea when seeking his fortune. Heartbroken, Buttercup has sworn never to love again, but accepts the marriage proposal of the rich and handsome Prince Humperdinck, heir to the throne of Florin; but death is no barrier to true love, and in a story filled with exotically-accented swordsmen, big-hearted giants, genius kidnappers, sadistic torturers, vile swamps, Rodents of Unusual Size, the Dread Pirate Roberts and a somewhat embittered miracle worker, the love between Westley and Buttercup twists and turns on a path filled with adventure. Will the True Love of Westley and Buttercup win the day? Will Inigo Montaya find the six-fingered man who murdered his father? Will Humperdinck’s evil plans come to fruition? And, more importantly, will Grandpa be able to tell the story without any of the yucky kissing?

Hamlet, son of the king of Denmark, is summoned home for his father’s funeral and his mother’s wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot—the most complicated and most interesting in all literature—he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the “prime minister,” love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother’s.

Harry and Sally meet when she gives him a ride to New York after they both graduate from the University of Chicago. The film jumps through their lives as they both search for love, but fail, bumping into each other time and time again. Finally a close friendship blooms between them, and they both like having a friend of the opposite sex. But then they are confronted with the problem: “Can a man and a woman be friends, without sex getting in the way?”

Ben Sobol, Psychiatrist, has a few problems: His son spies on his patients when they open up their heart, his parents don’t want to attend his upcoming wedding and his patients’ problems don’t challenge him at all. Paul Vitti, Godfather, has a few problems as well: Sudden anxiety attacks in public, a certain disability to kill people and his best part ceasing service when needed. One day, Ben unfortunately crashes into one of Vitti’s cars. The exchange of Ben’s business card is followed by a business visit of Don Paul Vitti himself, who wants to be free of inner conflict within two weeks, before all the Mafia Dons meet. Now, Ben Sobol feels somewhat challenged, as his wedding is soon, his only patient keeps him busy by regarding Ben’s duty as a 24 hour standby and the feds keep forcing him to spy on Paul Vitti. And how do you treat a patient who usually solves problems with a gun?

James P. Sullivan (AKA “Sulley”) and Mike Wazowski pick up their paychecks at Monsters Inc., the utility company that generates energy from the goose bumps of children. Sulley, the No. 1 scream-generator at the plant accidentally lets in a little girl into the monster world. Since monsters are actually terrified of children it’s a major cause for alarm and a major headache for Sulley and Mike.