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Drug lord Frank White (Chrstiopher Walken) is released from Sing-Sing prison after serving a number of years for drug trafficking. He is reunited with his former gang, led by the murderous Jimmy Jump (Laurence Fishburne), as well as his personal female bodyguards Raye (Theresa Randle) and Melanie (Carrie Ngyen), and his lover/legal annalist Jennifer (Janet Julien). After seeing his old neighborhood more dilapidated and depressing than ever, Frank decides to do good by eliminating his competitors whom filled the void left by his incarceration, then steal their money and drugs to finance a new South Bronx hospital for the needy. But Frank’s past won’t let go of him when a group of overzealous cops, led by corrupt detective Roy Bishop (Victor Argo), frustrated at the lack of clues to nail Frank on for the current street killings, decide to take matters into their own hands.

Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won’t get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.

Fargo is based on true events that occurred in Minnesota in 1987 with the names changed to protect the victims. Jerry works in his father-in-law’s car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn’t seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the blood shed, which turns loose a pregnant sheriff from MN who is tenacious in attempting to solve the three murders in her jurisdiction.

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.

Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.

Brenda wears comfortable, cotton panties; Nikki wears shear, lacy thongs. Richard Cooper is in the middle, with a good job in Manhattan, a house in the suburbs, and two cute children with Brenda, his intelligent, good-looking wife, who’s a teacher. But there’s no sex in this seven-year marriage, so Richard’s bored. Into the mix walks Nikki, a sexy, sassy, single friend he’s not seen in years. Nikki has problems and finds a reason to stop at his office every day. He tries to help, they have some fun, and he doesn’t mention Nikki to Brenda. His work and reputation suffer. Is he about to scratch the seven year itch? What choices does Richard have?

Two straight, single Brooklyn firefighters (Sandler, James) pretend to be a gay couple in order to receive domestic partner benefits.

The teenage DJ is observing his neighbor Nebbercracker on the other side of their street in the suburb that destroys tricycles of children that trespass his lawn. When DJ’s parents travel on the eve of Halloween and the abusive nanny Zee stays with him, he calls his clumsy best friend Chowder to play basketball. But when the ball falls in Nebbercracker’s lawn, the old man has a siege, and sooner they find that the house is a monster. Later the boys rescue the smart Jenny from the house and the trio unsuccessfully tries to convince the babysitter, her boyfriend Bones and two police officers that the haunted house is a monster, but nobody believes on them. The teenagers ask their video-game addicted acquaintance Skull how to destroy the house, and they disclose its secret on the Halloween night.

When Longfellow Deeds, a small-town pizzeria owner and poet, inherits $40 billion from his deceased uncle, he quickly begins rolling in a different kind of dough. Moving to the big city, Deeds finds himself besieged by opportunists all gunning for their piece of the pie. Babe, a television tabloid reporter, poses as an innocent small-town girl to do an exposé on Deeds. Of course, Deeds’ sincere naiveté has Babe falling in love with him instead. Ultimately, Deeds comes to find that money truly has the power to change things, but it doesn’t necessarily need to change him.

Sonny Koufax is 32 years old. He’s a law school graduate. He’s got a nice apartment in Manhattan. There’s just one problem. He does nothing, except sit on his butt and live off an investment that was the result of a meager lawsuit he won a year ago. But after his fed up girlfriend leaves him, he comes up with the ingenious idea to adopt a five year old boy to showcase his newfound maturity. But things don’t go as planned, and Sonny finds himself the unlikely foster father that will change his perspective on just looking out for himself.