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Cody, a boy from Mugwomp Flats responds to a distress call about a trapped giant Golden Eagle called Marahute. Freeing her, he gains a close friendship with the bird. However, Cody is soon abducted by the murderous poacher, Percival McLeach, who is after that bird which is of a highly endangered species and therefore an extremely profitable quarry. In a panic, a mouse Cody freed from one of McLeach’s traps sends a desperate call for help to the Rescue Aid Society in New York City who assigns their top agents, Miss Bianca and Bernard to the task. With transportation provided by the goofy Albatross, Wilbur, the agents arrive in Austrailia and link up with the RAS’ local field operative, Jake The Kangaroo Rat. Together, the trio must race against time to find Cody, stop McLeach and save Marahute.

Laura Manion returns home to tell her husband she’s been raped. Lt. Manion kills the rapist and then claims crime of passion as a defense. At least that’s his story. Paul Biegler agrees to defend him and must unravel a case in which the motivations of the murderer, his wife, and the victim are all in question.

The story of General George S. Patton, Jr. during World War II. His battlefield genius garners him fear and respect from the Germans, and resentment and misunderstanding from the Allies. A military historian and poet, he believes he was a warrior in many past lives, and that he is destined for something great during this life, but his stubbornness and controversial methods nearly prevent the fulfillment of that destiny.

John Russell, a composer and music professor, loses his wife and daughter in a tragic accident. Seeking solace, he moves into an old mansion unoccupied for twelve years. But a child-like presence seems to be sharing the house, and trying to share its secrets, with him. Through research into the house’s past and a seance held within, Russell discovers the horrific secret of the house’s past, a secret that the presence will no longer allow to be kept.

U.S. President Merkin Muffley is on the hot line to Moscow with some rather embarrassing news for the Soviet premier: “Hello, Dimitri….I’m fine….Now then, you know how we’ve always talked about the possibility of something going wrong with the bomb….The bomb, Dimitri. The hydrogen bomb….Well, now, what happened is that, uh, one of our base commanders…he went a little funny in the head….and he went and did a silly thing….He ordered his planes to attack your country.” A comedy about an accidental nuclear attack? One that ends with total annihilation, thermonuclear apocalypse? Preposterous! Stanley Kubrick thought otherwise. In the end his thinking prevailed. The mad saga revolves around a psychotic Strategic Air Command officer, Gen. Jack D. Ripper, who lets loose his B-52 bomber squadron on the Soviet Union. Ripper takes this unilateral action because of his paranoid belief that Communists are sapping and contaminating “all our precious bodily fluids” as part of their plan to take over the world.” Unbeknownst to Ripper, his attack will trigger the Russian’s ultimate weapon, the Doomsday Machine, a diabolical retaliatory device set to blow up the planet.