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Nuclear physicist Paul Nesbitt, sees what he believes to be a giant monster after an atomic bomb test in the artic. The only other witness is killed when he is covered by ice. When Nesbitt returns to the States he tries to convince the world that he did see the monster, even paleontologist Thurgood Ellison. The only person that will believe him is Ellison’s assistant, Lee Hunter. Ellison is finally convinced when Nesbitt and a survivor of a ship that was attacked by the monster both identify the monster as a rhedosaurus. Eventually the monster makes its way to New York where it kills several people not just by devouring them or crushing them with its sheer weight, but it also is the carrier of a deadly virulent disease.

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .