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Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

In Stockholm, Sweden to collect his Nobel Prize in Literature, American writer Andrew Craig stumbles across a plot to kidnap a fellow Nobel laureate. On arrival at the hotel, he meets physicist Prof. Max Stratman. They have a pleasant conversation and agree to meet for drinks the next day. When they meet again however, the Professor acts as if he’s never met Craig. With his propensity for partying and drinking too much, Craig doesn’t have a great deal of credibility with his hosts, including the person assigned to him by the Swedish Foreign Ministry, Inger Lisa Andersson. An attempt on Craig’s life and a chance encounter at a local hospital provides the evidence he needs however.

Lucas Marsh (Robert Mitchum), an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina (Olivia de Havilland), not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren (Gloria Grahame) and the patience of the long-sorrowing Kristina wears thin. She reasons he no longer needs her and asks for a divorce. A calamity now brings Marsh to his senses. Dr. Runkleman (Charles Bickford), Marsh’s gruff and wise employer, is stricken with a heart attack and requires emergency surgery. Marsh is forced to operate.