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A European police detective living in Cairo undergoes hypnosis therapy to deal with headaches caused by his last case. He recounts spending two months in a dystopian Europe investigating the serial killings of young girls who sell lottery tickets. While the current police force there employ clumsy methods, he continues to use the controversial theoretical methods of his now disgraced former mentor. He becomes obsessed with a suspect from previous similar killings, and using an old surveillance report retraces the steps of that suspect. As the journey progresses, the differences between the cop and the serial killer become blurred.

Henry VIII of England discards one wife Katharine of Aragon, who has failed to produce a male heir, in favor of a young and beautiful woman, Anne Boleyn, whose one-thousand-day reign as Queen of England ends with the loss of her head on the block. Henry weds Ann and soon she gives him a child. The girl, Elizabeth, is a bitter disappointment to Henry, who desperately wants an heir. Anne promises Henry a son “next time,” but Henry is doubtful. Shortly thereafter, rumors begin that the King’s eye has already wandered. One Jane Seymour is at court for a moment. The Queen has her sent away, but, if Anne will bring Jane back to court, the King promises to sign the Act of Succession to insure that Elizabeth will be Queen.

Hamlet, son of the king of Denmark, is summoned home for his father’s funeral and his mother’s wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot—the most complicated and most interesting in all literature—he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the “prime minister,” love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother’s.

Five young British nuns are invited to move to a windy “palace”, former house of the concubines of an old general, in the top of a mountain in Mopu, Himalaya, to raise the convent of Saint Faith Order, a school for children and girls, and an infirmary for the local dwellers. Sister Clodagh (Deborah Kerr) is assigned as the superior sister, and her liaison with civilization is the rude government agent Mr. Dean (David Farrar). The lonely and exotic place and the presence of Mr. ‘Dean awake the innermost desires in the flesh of the sisters, and Sister Ruth (Kathleen Byron) becomes mad with the temptation.