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When Nora Walker gets pregnant, her beloved husband, the pilot Captain Walker, is considered missing in action in World War II when his plane crashes in a battle. Nora raises her son Tommy alone with the memories of his father. In 1951, she meets Franks Hobbs in a summer camp, is courted by him, ending in an affair. However, in the middle of a stormy night, the boy has a nightmare with his father and runs to her mother’s bed, finding her naked with “uncle” Frank, becoming immediately deaf, dumb and blind. The years go by, and her mother lives with a complex of guilty of the psychological problem of her son. One night, Tommy finds a pinball machine in a junkyard, and his natural skills transform him in a champion, and when he supersedes and heals his problems, a legion of fans follows him, as if he were a new Messiah.

Borat trickster Sacha Baron Cohen returns to the big screen to offer yet another stinging dose of sociopolitical satire in this comedy that finds him assuming the persona of gay fashionmonger Bruno, the self-proclaimed “voice of Austrian youth TV.” Originally conceived as part of Cohen’s cult television series Da Ali G Show, the character of Bruno offered a cleverly costumed Cohen the opportunity to highlight the absurdities of the fashion industry by interviewing unsuspecting fashion icons and other haute couture hangers-on.

In 1517, Spanish-wanted street swindlers Miguel and Tulio’s uncanny luck gets them a map to El Dorado and a stowaway passage, albeit in Cortez’s stocks destined for floggings and slavery on Cuba. They escape, thanks to the war horse Altivo; a storm brings them on a Mexican shore fitting the map, so they enter the city, where high priest Tzekel-Kan welcomes them as the prophesied gods, accidentally confirmed by a volcanic rumble. Only temple thief Chel sees trough their game, so she’s allowed into the scam to steal the golden treasure. They abolish human sacrifices and learn the high-priest rivals for power with the chief, so they play them against each-other. Meanwhile Cortez arrives and follows the tramps’ trail. When Tzekel-Kan tricks Tullio into reintroducing sacrifices, the river of blood tradition requires to start the jaguar age, Miguel braves him, making a dangerous enemy who uses black magic having realized they’re mortal. Now two major dangers attack the city and its ‘patron gods’.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.