Biography: With dark, good looks and brawny build, Irish actor Kieron Moore made a name for himself in post-war British films as both heroes and villains. Interestingly, he is better remembered for one of his more earnest failures, that of Count Vronsky opposite Vivien Leigh's "The Anna Karenina (1948)". Born Kieron O'Hanrahan, he grew up in a hearty, Irish-speaking-only household. His father, Peter, was an ... show all With dark, good looks and brawny build, Irish actor Kieron Moore made a name for himself in post-war British films as both heroes and villains. Interestingly, he is better remembered for one of his more earnest failures, that of Count Vronsky opposite Vivien Leigh's "The Anna Karenina (1948)". Born Kieron O'Hanrahan, he grew up in a hearty, Irish-speaking-only household. His father, Peter, was an Irish Nationalist writer, poet, editor and political activist who was imprisoned more than once by the British for his activities. Encouraged by their parents to pursue their artistic leanings, Kieron's sister Nease became an actress, brother Fachtna became a music director, and another sister, Blaithin, played the harp for the National Symphony Orchestra. Kieron himself was educated in Dublin and actually started to study medicine at the University College. He abandoned his medical studies, however, after an Abbey Theatre rep saw him in a local play and accepted his application for membership. In 1943 the handsome Kieron moved to England and subsequently made his London stage debut as Heathcliff in a production of "Wuthering Heights". He went on to gain more notice in such plays as "Purple Dust" (by 'Sean OCasey) and "Everyman". He made an impressive film debut as an Irish Republican Army killer in "Voice Within (1945)". The heroine in the film, murdered by Kieron's character, is played by actress Barbara White . Despite their fatal on-camera relationship, they formed a much more positive one away from the lens and eventually married in 1947. Barbara retired shortly thereafter and the couple went on to have three sons (Casey, Colm, Sean) and one daughter (Theresa). Kieron was a talented, durable player but seemed to lack the charisma or drive for top stardom despite his early promise. An impressed Alexander Korda signed him up with his London Films following a heralded perf in the West End version of 'Sean O'Casey''s play "Red Roses for Me" in 1946. The marquee name of Kieron Moore was bestowed upon him at this time. While he excelled in his next unsympathetic role, the psychological drama "The Mine Own Executioner (1947)" in which he plays a schizophrenic POW treated by doctor Burgess Meredith (real-wife Barbara played his wife in this picture, one of her last film roles), Kieron failed to capitalize on the one role that could have made him a star. As the urbane count in "Anna Karenina (1948)", he was deemed miscast according to many of his reviews. His career could have leveled out or even faded after this...but it didn't. Instead Kieron was given a huge bite of the Hollywood apple when cast as Uriah the Hittite in the plush but stilted biblical epic "David and Bathsheba (1951)" opposite 'Gregory Peck' and 'Susan Hayward', and as a dashing Foreign Legion corporal in "Ten Tall Men (1951)", starring Burt Lancaster. Not much happened as a result and he returned to England. There he continued to offer fine and varied performances, notably in "Green Scarf (1954)", in which he earned applause for his role as a deaf, blind and mute murder suspect. Another part that garnered some attention was his playing of the bully Pony Sugrue in the Disney classic "The Darby O'Gill and the Little People (1959)". This was topped by the strong kudos he received in the top-drawer Alec Guinness comedy starrer "League of Gentlemen (1960)" as a gay former officer recruited by Guinness to pull off a major bank heist. At the same time, he turned hero once again as a man forced to battle flesh-eating plants in the classic sci-fi thriller "The Day of the Triffids (1962)" co-starring Janette Scott. At this juncture Kieron's status started to regress with more and more routine films handed him, including "The Doctor Blood's Coffin (1961)", "I Thank a Fool (1962)" and "Thin Red Line (1964)". He played second fiddle to special effects in "Crack in the World (1965)" and to Gregory Peck (again) in "Arabesque (1966)". He took as his final film the underwhelming "Custer of the West (1967)" in which he was oddly cast as an Indian chief. Throughout the 1950s and 1960s he customarily performed on TV, which included a short-lived series. After retiring from feature film work altogether in 1974, he life took a religious and socially active turn. He joined the Catholic Agency for Overseas Development, with whom he worked for nine years, and directed/narrated two film documentaries in the course of that time. The films dealt specifically with the struggle for survival in Third World countries. He also traveled extensively to the Middle East and India and provided voice-overs for other documentary features as well. Retiring quietly to France in 1994, Kieron was survived by his wife, Barbara, and children at the time of his death on July 15, 2007 at age 82. hide |
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