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When Mark’s brother, landlord and dog are killed in a series of freak accidents, he calls on friend and neighbour Pierce for help. As the series of deaths would appear suspicious, aspiring writer Pierce advises Mark not to call the police, and instead the two try to re-work the days events as if they were a film script.

King Henry II (’Patrick Stewart (I)’ (qv)) keeps his wife, Eleanor (’Glenn Close’ (qv)) locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have his dalliances with his young mistress (’Yuliya Vysotskaya’ (qv)). Needless to say the queen is not pleased, although she still has affection for the king. Working through her sons, she plots the king’s demise and the rise of her second and preferred son, Richard (’Andrew Howard (I)’ (qv)), to the throne. The youngest son, John (’Rafe Spall’ (qv)), an overweight buffoon and the only son holding his father’s affection is the king’s choice after the death of his first son, young Henry. But John is also overly eager for power and is willing to plot his father’s demise with middle brother, Geoffrey (’John Light (I)’ (qv)) and the young king of France, Phillip (’Jonathan Rhys Meyers’ (qv)). Geoffrey, of course sees his younger brother’s weakness and sees that route as his path to power. Obviously political and court intrigue ensues.

The British Empire flowers; exotic India colors English imaginations. Becky Sharp, the orphaned daughter of a painter and a singer, leaves a home for girls to be a governess, armed with pluck, a keen wit, good looks, fluent French, and an eye for social advancement. Society tries its best to keep her from climbing. An episodic narrative follows her for 20 years, through marriage, Napoleonic wars, a child, loyalty to a school friend, the vicissitudes of the family whose daughters she instructed, and attention from a bored marquess who collected her father’s paintings. Honesty tempers her schemes. No aristocrat she, nor bourgeois, just spirited, intelligent, and irrepressible.

Inspired by true events, THE CHILDREN OF HUANG SHI is a portrayal both sweeping and intimate of people who, thrown into an unexpected and desperate situation, discover their capacity for love and responsibility. It tells how a young Englishman, George Hogg came to lead sixty orphaned boys on an extraordinary journey of almost a thousand perilous miles across the snow-bound Liu Pan Shan mountains to safety on the edge of the Mongolian desert. And of how, in doing so, he came to understand the true meaning of courage. During his journey, Hogg learns to rely on the support of Chen, the leader of a Chinese partisan group who becomes his closest friend. He soon finds himself falling in love with Lee, a recklessly brave Australian adventurer whom war has turned into an unsentimental nurse on horseback. Along the way Hogg befriends Madame Wang, an aristocratic survivor who has also been displaced by war, who helps the young Englishman, his friends and their sixty war orphans make their way across awesome (and rarely filmed) mountain and desert regions to a place of safety near the western end of the Great Wall of China.

The story of a charismatic young Irish guitarist and a sheltered young cellist who have a chance encounter one magical night above New York’s Washington Square, but are soon torn apart, leaving in their wake an infant, August Rush, orphaned by circumstance. Now performing on the streets of New York and cared for by a mysterious stranger, August uses his remarkable musical talent to seek the parents from whom he was separated at birth.