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Robot Chicken’s finest half hour is more savvy than Spaceballs, more inside than Family Guy: Blue Harvest, and funnier, even, than The Star Wars Holiday Special. This Very Special Episode of Comedy Central’s stop-motion animated series parodies and goofs on all things Star Wars, from a disgruntled Empire janitor to an ad for Admiral Ackbar Cereal (”Your tongues can’t repel flavor of that magnitude”). Twenty three minutes goes by like the jump to hyperspace with such priceless bits as the collect phone call to Emperor Palpatine from Darth Vadar to inform him of the Death Star’s destruction, awkward morning-after pillow talk between Luke and Leia (”That was so wrong”), and George Bush’s newfound Jedi powers. Co-creators Seth Green and Matthew Senreich and company immerse viewers in the Robot Chicken universe with generous bonus features, including storyboarded deleted scenes (with self-deprecating commentary), behind the scenes footage of animation meetings, and alternate audio takes. Good sport George Lucas, who gave his blessing to this episode, boldly goes where William Shatner went before by voicing himself in a Star Wars convention sketch that concludes with a Lucas-worshiping geek telling his son that meeting his idol was the best day of his life. What about his son’s birth? “Not even close,” dad replies. But you don’t have to have that kind of devotion to Star Wars to be amused by this weather forecast for Cloud City: “Cloudy, followed by clouds.”

The mythical world starts a rebellion against humanity in order to rule the Earth, so as Hellboy and his team returns they must save the world from the rebellious creatures. Now, as the creatures who inhabit the spiritual realm gear-up for an all out attack on the human plane, the only one capable of saving the Earth is a tough-talking hellspawn rejected by both worlds.

The major sub-plot circles around the youngest Griffin, Stewie, who has a near-death experience at a pool when a lifeguard chair falls on him, but he survives. After having a vision of being in Hell, he decides to change his ways, but this doesn’t last long. While watching television, he and Brian spot a man that looks like Stewie. Brian is convinced that he is Stewie’s real father, until Stewie learns that the man is actually himself as an adult, taking a vacation from his own time period. Baby Stewie visits thirty years later to discover that his adult self, going by the name Stu, is a single blue-collar middle-aged virgin working at a Circuit City-type store. Meanwhile, Peter and Lois are trying to teach their two older kids, Meg and Chris, to date. In the future, Chris, who hasn’t changed much, is working as a cop and is married to a foul-mouthed hustler named Vanessa. Meg is now called Ron, since she had a sex-change after college.