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Buddy (Affleck) has just signed an airline in Chicago as a big client, but is ironically delayed at the airport waiting for a flight to LA on that same airline. He meets fellow passenger Greg, who opts to be bumped, even though it means missing an activity with his older son. When the flight gets resumed, Buddy thinks he’s doing a good deed by swapping tickets with Greg so he can get home to his son. Sadly, the flight crashes. Buddy conspires with his friend, the ticket agent that night, to take his name off the passenger list and put Greg’s on. Once he’s back in LA, his new client dictates that the company run a series of feel-good ads about the crash. Buddy feels very hypocritical, and completely loses it when the commercials win a Cleo. After going through re-hab, he decides he needs to check on Greg’s widow. But he doesn’t plan on falling in love with her.

Primarily a two hour video, albeit a very good one, this sequel picks up 18 years later from the original and finds Elwood Blues being released from prison and trying to re-form his old band with new lead singer Mighty Mac replacing Jake. A road trip culminates with a battle of the bands against the Louisiana Gators led by B.B. King, Eric Clapton, Dr. John, and others.

Eugene is an extraordinary talent in classic guitar, but he dreams of being a famous Blues guitarist. So he investigates to find a storied lost song. He asks the legendary Blues musician Willie Brown to help him, but Willie demands to free him from the old-people’s prison first and to really learn the blues on the way to it’s origin: Mississippi Delta. Eugene doesn’t know yet about Willie’s deal with the devil, that he now wants to revoke.

Based on John Steinbeck’s 1937 classic tale of two travelling companions, George and Lennie, who wander the country during the Depression, dreaming of a better life for themselves. Then, just as heaven is within their grasp, it is inevitably yanked away. The film follows Steinbeck’s novel closely, exploring questions of strength, weakness, usefulness, reality and utopia, bringing Steinbeck’s California vividly to life.