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The story picks up seven years after the first film when little sister Samantha Darko and her best friend Corey are now 18 and on a roadtrip to Los Angeles when they are plagued by bizarre visions.

A young woman, Marnie Watson, is granted early release from her prison sentence for manslaughter (killing her husband - a violent NYC cop - in self defense) on condition she wear an electronic ankle bracelet and remain within her home, effectively under house arrest, for the remainder of her sentence. Her late husband’s partner keeps tabs on her from a patrol car parked across the street, hoping she’ll violate probation and he can send her back to prison. But the 100-foot radius her ankle bracelet allows isn’t the worst of her problems. Her dead husband —now a malevolent ghost—is still in the house, where he died — intent on savage revenge.

SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early 80’s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God’s ‘chosen ones’ and their strict moral code means that Will has never been allowed to mix with the other ‘worldlies,’ listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will’s mind is blown wide open and he’s easily convinced to be the stuntman in Lee Carters’ diabolical home movie. Will’s imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to dreaming up elaborate schemes to keep his partnership with Lee Carter a secret from the Brethren community. Will and Carter’s complete disregard for consequences and innocent ambition means that the process of making their film is a glorious rollercoaster that eventually leads to true friendship. They start to make a name for themselves at school as movie makers but when popularity descends on them in the form of the Pied Piper-esque French exchange student, Didier Revol, their unique friendship and their precious film are pushed, quite literally, to breaking point.

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King’s Cross with his mother; he’s nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will’s architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro’s mother, Amira. At home, Will’s relationship with Liv is strained - he feels outside Liv and her daughter Bea’s circle. The stakeout and Amira’s vulnerability are attractive alternatives to being at home. The police, too, watch Miro.