George Hickenlooper graduated from Yale University in 1986. He was born in St. Louis and raised there, Boston, and San Francisco. His interest in film began in childhood and stemmed from his great Uncle's (Leopold Stokowski) involvement in the movie "Fantasia (1940)". Hickenlooper's interest also bloomed from his father being a playwright and his mother starting a guerrilla theater troop, which wo ...
show all George Hickenlooper graduated from Yale University in 1986. He was born in St. Louis and raised there, Boston, and San Francisco. His interest in film began in childhood and stemmed from his great Uncle's (Leopold Stokowski) involvement in the movie "Fantasia (1940)". Hickenlooper's interest also bloomed from his father being a playwright and his mother starting a guerrilla theater troop, which would protest the Vietnam War. Both of his parents told him the techniques of story telling whether to make an aesthetic or political point. Hickenlooper's first short Super 8mm films were animated and made with this grammar school friend Kirk Wise who, years later, would go on to direct "Beauty and the Beast (1991)" for Walt Disney. While attending a Jesuit high school, Hickenlooper turned to live action short filmmaking. Many of those shorts (Telefission, A Day in the Life, A Black and White Film, and The Revenant) were premiered on Public Television in St. Louis and Kansas City. Hickenlooper spent one summer studying at the USC School of Cinema and Television, and then went on to Yale for a B.A. in History and Film Studies. After graduating, Hickenlooper interned for producer Roger Corman and in 1991 authored the book Reel Conversations (Citadel Press), a collection of interviews with film directors and critics. Hickenlooper made his professional directing debut with "Art, Acting, and the Suicide Chair: Dennis Hopper (1988) (TV)", a short documentary about Dennis Hopper. However, he made his breakthrough when he premiered "Hearts of Darkness: A Filmmaker's Apocalypse (1991)", the internationally acclaimed documentary about the making of "Apocalypse Now (1979)", at the Cannes Film Festival.
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